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...dogmas of visual rationalism just at the moment when the crude baroque of psychedelia was popping up on posters all over San Francisco. That formative combination may explain why Manwaring still seeks to produce images on the border between the orderly and the wild, at once restrained and mannerist. A wine label for Sonoma County's small Hanna Winery, for example, is no neat, well-behaved rectangle but an asymmetrical ziggurat with type stacked in surprising ways. For a poster meant to express the idea of summer, a fragment of architectural statuary is enclosed within a flaming triangle, bracketed...

Author: /time Magazine | Title: Design: Nouvelle Cuisine For the Eyes | 6/8/1987 | See Source »

...nuclear power. "O.K.," he barks when they cross him, "from now on I do my business with the Chinese!" Sporting a cad's mustache and Walter Denton's whiny voice, Penn is a funny, harrowing wonder of energy. No other young actor so cunningly combines the mannerist danger of the Brando-De Niro school with the articulate assurance of a stand-up comic. Hutton is just as fine in a role that demands--and gets --caged heat, the taste of a soul gone sour, sanctity imploding into rage. He and Penn are the only compelling reasons to see a film...

Author: /time Magazine | Title: Cinema: The Hardy Boys Turn Traitor the Falcon and the Snowman | 1/28/1985 | See Source »

...foremost masterpieces in modern Scandinavian design are still those of the familiar masters, among them Aalto, Wirkkala, Denmark's Arne Jacobsen, and Sweden's Gunnar Asplund and Sven Markelius. But there are also many new names to reassure us that the tradition need not regress to mannerist neodeco or yield to the common denominator of market-researched commercialism. Scandinavian design, in fact, is still as vigorous at the end of this century as it was at the beginning...

Author: /time Magazine | Title: Design: Century of Scattered Flowers | 9/20/1982 | See Source »

...when he had absorbed all the schooling in color that Titian and Tintoretto could give him, he moved on to Rome, where he became part of the circle of intellectuals who revolved around Fulvio Orsini, librarian to Cardinal Alessandro Farnese. During the next seven years, he prayerfully studied the mannerist distortion of the human figure instigated by Michelangelo. Then for reasons still unknown, El Greco decided to try his luck in Spain, where a friend's father was able to get him commissions for Toledo's chapels...

Author: /time Magazine | Title: Art: El Greco's Arrogant Genius | 7/19/1982 | See Source »

Pollock's early work is permeated by the forms of mannerist contrapposto, the serpentine figures of 16th century art, and there is more than just an echo of the strange excavated space of El Greco's paintings, simultaneously vast and womblike, in his work after 1947. Because of his aspirations to sublimity, it is difficult to assimilate Pollock-as some authorities have wished to do-to the traditions of the School of Paris. The French painter he most admired, the surrealist André Masson, was set against the pre-eminently French virtues of lucidity, calm...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

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