Word: manners
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Dates: during 1950-1959
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Understanding, coupled with entirely effective production, is the foundation of the play's success. And although the distribution of praise is a difficult matter in this case, first honors must go to director Steve Aaron for his searching interpretation of the play, and for the manner in which he has brought the speech and action of all his principle characters to bear on the revelation and comprehension of Willy Loman's final, tragic assertion...
With his brother James Johnson Sweeney, former head of the Museum of Modern Art, Sweeney developed an early liking for painting. While he owns works by Bracque, Picasso, Leger, and Gris, he protests, in his self-effacing manner, that "I know nothing about aesthetics as a professional discipline or as a philosophical study. But the experience," he continues, "of making a judgment and enjoying a painting in the Fogg--or reading a poem--has been a vital part of my education...
There have been various accounts, not to mention bitter criticism, of the manner in which a CRIMSON editor reviews a movie or play. Although he claims he has no clearly defined technique, several have been suggested. Among these are the rotation plan (pan a few, praise a few), the coin flip method, a mood creation (verdict depending upon the mood of the moment), and the "how many free passes did they give" determination. Another system which is not fully appreciated is listed below. With the aid of these lists, the reviewer simply picks the words which seem...
Dorothy Day, a woman of tranquil faith and fierce independence, approached the problem in her usual direct manner. She got up one morning last week, prayed for help to St. Joseph, patron saint of workers, then walked out of the House of Hospitality to persuade the judge to set aside the fine. Outside the hostel, where daily she feeds some 200 to 300 and nightly shelters 60 men and women, a rumpled, seam-faced man stepped from the knot of drifters and pressed something into her hand. "I just read about your trouble," he said. "I want to help...
...infinite complications that develop when they try to cover the misfortune, which they figure is best done by earthing old Harry on top of the hill, are inevitable. The script Hitchcock uses is in the manner of a very garrulous Noel Coward, lacking a great deal of the sponteneity and verve which make salon situation humor tolerable. Funny verbal exchanges might have saved the endless repetition of burying Harry, digging him up, and then burying him again. Poor cold Harry must not have been amused...