Word: manning
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Dates: during 1990-1999
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...Damon's Ripley, more muted and awkward than they but a fast study. Ripley's outsider status is what especially appealed to Minghella, 45, a playwright and former professor whose Italian immigrant parents still make and sell ice cream on the Isle of Wight. "This sense of a man with his nose pressed up against the window, the sense that there's a better life being led by other people--to me, these feelings are familiar and pungent...
...certain resemblance--not much--one of whom kills the other and assumes his identity." In the novel, Tom Ripley, an orphan in his mid-20s with a gift for larceny and mimicry, is hired by a rich shipbuilder to go to Mongibello, an Italian resort village where the man's son Dickie Greenleaf (played by Law in the new film) has been idling, to try persuading the lad to return home to the family business. Tom agrees, sails to Europe and, on seeing Dickie, is dazzled by his luscious indolence. Dickie paints, indifferently; he tans, splendidly; and he flirts with...
...trying to honor the book, which is about a man who commits murder and isn't caught," Minghella says. "But I also wanted to investigate what that actually means. At the end of the film, Ripley is imprisoned by the consequences of his own action. There's a difference between public accountability and private justice. He appears to have gotten away; he seems to get away with everything. In a way he's sentenced to freedom. It's painful to have this talent for escape, for being able to improvise one's way out of any situation. To Ripley...
...coup was Ripley himself--a fastidious fellow of refined if acquired tastes who is utterly unimpeded by conscience. Tom is a sportsman. "Risks were what made the whole thing fun," he muses. His lack of guilt or shame makes Tom a blithe, resourceful fellow, totally at ease with the man he's become...
...Knopf/Everyman's Library) have the tone of high, dark comedy. Tom kills--Dickie, Dickie's pal Freddie Miles, an American art lover, a bunch of mafiosi--as much for the game of eluding capture as for motives of profit or survival. In Ripley's Game he gets an ailing man involved in a murder plot only because the man once spoke abruptly to Tom. Then, when the man desperately tries to kill a Mafia goon, who shows up to help but Ripley? Good deeds or bad, they're just caprices for a gentleman rogue...