Word: mannings
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Dates: during 1970-1979
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Ruggero Raimondi's Don is a middle-aged, thin-lipped, white-faced sadist, a man more easily pictured flogging cats than seducing women. Raimondi fits in well with Losey's class-conscious interpretation of Da Ponte's text--he sees Don Giovanni as the consummate self-indulgent aristocrat. There's nothing wrong with coloring the opera this way, but Raimondi and Losey paint over and obliterate the other half of Don Giovanni's character, the youthful embodiment of unbounded energy who mesmerized the romantics. They do Mozart and Da Ponte an injustice by simplifying the libretto's psychological tangle...
...charged with murder. The cabbie's brother, a security guard at B.U., had told Silber of the situation: the court-appointed attorney was trying to convince the defendant to plead guilty in exchange for only a 20-year sentence. Outraged at this, Silber retained a different attorney and the man was later acquitted. The second attorney, George V. Higgins of Boston, says Silber paid a fee of more than $15,000 from his own pocket...
...watching a man of high ideals become corrupted by his power," says one personal friend. "He's one of those sad cases of a flawed genius...
...sense," Charlotte (Nancy New), and the daughter without "good sense," Gertrude, who stays home from church "Because the sky is so blue!"--and their European relatives who visit them. Gertrude is being tamed for a marriage to Mr. Brand (Norman Snow), a serious and pious, if not a dull man. But when the Wentworth's cousins from Europe, Eugenia (Lee Remick) and Felix (Tim Woodward) come to America in hopes of finding their cousins rich, entertaining, and ready to take them in, Felix pries a willing Gertrude from the somber arms of her family and Mr. Brand. Meanwhile the royally...
...Man Who Kept the Secrets, Powers...