Word: mannish
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Hers was a fervor that transcended sex; to a '30s movie audience it may have looked threatening, even mannish. She was the most aggressive and patrician of the '30s liberated ladies, and moviegoers wanted some extraordinary ordinary guy to sweep her off her pedestal and bring her down to earth. In the '30s that man was Gary Grant, a spirit as blithe as Hepburn's and a lot breezier. In the '40s and beyond, it was Spencer Tracy, the stolid, sensitive man of whom Laurence Olivier said: "I've learned more about acting from watching Tracy than in any other...
...revealing perspective on the private lives and individual psyches that made up the group. He lets Jagger and Jones speak for themselves on their power struggle early on and describes the brilliant efforts of producer Andrew Loog Oldham to package his charges as popular music's bad little mannish boys. And then, once those boys grew up, came the years totally clouded over by drugs, debauchery, and disillusionment, leading ultimately to Brian's death and the rebirth of the others. Struggling to reassert themselves, the Stones were forced to confront a new problem: how to keep the act spontaneous...
...form on the latest album, using his own retreat from hard living to keep the Stones driving forward with a thumping blues number like "Black Limousine." As Richards and fellow guitarist Wood churn out a roughly meshed combination of thick rhythm and screaming leads, the mannish boy mourns...
...album's two live cuts, one--"Mannish Boy"--merely transferred from the Love You Live collections--and the other, a driving re-make of "When the Whip Comes Down," open the second side. On the former, Jagger tries for a vague Muddy Waters imitation and comes up a bit short, but he receives enthusiastic vocal backing from occasional Stones keyboardist Billy Preston. "When the Whip Comes Down" benefits from a propulsive rhythm guitar and bass line, but whoever played the lead barely distinguishes himself from the tenative style of a high school amateur. Other cuts include "Crazy Mama," a gritty...
...accident," she later wrote, that Gaudy Night, her penultimate detective work, and The Zeal of Thy House, her first religious drama, were "variations upon a hymn to the Master Maker." During her later years, religion became increasingly important in her life. Hone follows Sayers as, dressed in mannish suits, she made her public rounds of BBC talks and academic lectures. But her private life remains largely a mystery-as does Hone's reason for calling this a "literary biography," since it fails to analyze the books or the career. Instead, he splices together bits of Sayers' life...