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...there you go. How art imitates life is bumptiously, changing it around so that the story tells better. What's so upsetting to Wallace is that as he sees it, Mann has changed not just the details of the Wigand story but also the crux of it, making Wallace one of the heavies in a drama about nothing less than integrity--who has it, who lacks it, who's willing to pay the price...

Author: /time Magazine | Title: Cinema: Truth & Consequences | 11/1/1999 | See Source »

Here's how art imitates life. It's the spring of last year, and Mike Wallace--immemorial TV journalist, much honored anchor of 60 Minutes--is on the phone to film director Michael Mann. Mann is making a movie about one of the less exalted episodes in Wallace's career, the time four years ago when 60 Minutes suppressed its story on Jeffrey Wigand, a tobacco-industry whistle blower. Mann's film moves on two tracks. One is the anguished dealings between Wigand and Lowell Bergman, a 60 Minutes producer who is leash holder and hand holder for the tormented...

Author: /time Magazine | Title: Cinema: Truth & Consequences | 11/1/1999 | See Source »

Wallace had persuaded Mann to let him see an early version of the screenplay. Now he has called to ask for factual corrections and other changes in scenes that make him look vainglorious or blind to journalistic ethics. "His language is very acute," recalls Mann. "Stunningly funny and smart and ironic. He gave this long speech. I told him I'd have to use it in the film!" Which Mann did. It became an onscreen outburst that Wallace delivers sarcastically to Bergman, his once devoted younger colleague: "Oh, how fortunate I am to have Lowell Bergman's moral tutelage...

Author: /time Magazine | Title: Cinema: Truth & Consequences | 11/1/1999 | See Source »

...Mann's film, The Insider, which opens around the country next week, is also a drama about credibility. So the movie asks if Bergman can trust the insular and somber Wigand, who says that Brown & Williamson, the tobacco company where he once worked as chief of research, knowingly added cancer-causing chemicals to its products. Can Wigand trust Bergman, who keeps pushing him to go public with his story, though it cost him his severance pay, his peace of mind and his marriage? Can Bergman trust Wallace? And can anybody trust 60 Minutes, the most lustrous of TV newsmagazines...

Author: /time Magazine | Title: Cinema: Truth & Consequences | 11/1/1999 | See Source »

...same, Wigand, who now runs a one-man antismoking foundation, Smoke Free Kids, is happy with the film. He got Roth and Mann to obscure details about his children and to avoid showing any of the characters smoking cigarettes; but Roth says Wigand didn't try to intervene at all in the way he was depicted. "When Jeffrey read the portrayal, warts and all, he didn't ask us to change anything." That includes an invented scene in which Wigand appears to be on the brink of suicide. Wigand says he "never got that despondent" but is "very comfortable with...

Author: /time Magazine | Title: Cinema: Truth & Consequences | 11/1/1999 | See Source »

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