Word: mano
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Dates: during 1960-1969
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...intimacy of the camera, did he reread the play "to see if I had eliminated anything that I should have kept." He found his most important change had been to take much that seemed "too cerebral and put it back in emotional terms." The result was a stunning, emotional mano a mano between...
...Mano o Mano. In life, Juan Belmonte's triumph was a victory of utter weakness. He stood fast in the path of the bull, directing its charge with a close sweep of his crimson muleta, winding the bull around him, said Ernest Hemingway, "like a belt-his right leg pushed toward the bull, in that bent slant which will be copied but never made truly until another genius comes in the same twisted body." Twisted, small, weak, Belmonte survived with courage that was more than a match for his inability to move with the bull. "My legs were...
...Matched mano a mano against the gypsy genius Joselito for the seven greatest years of Spanish bullfighting (1914-20), Belmonte was gored time and again, Joselito hardly ever. Belmonte was always the torero of "four olés and an ay!"-the scream coming whenever he was gored or pitched into the air on the horns of a bull. Then, in 1920, Joselito was killed in the arena, leaving Belmonte the unchallenged maestro. When he retired at last, he had killed 1,650 bulls and been gored scores of times. "How many?" stammering Belmonte once said...
Recovering in European hospitals after dire prognoses: Spain's Matador Número Uno Antonio Ordóñez, 29, who stumbled over his muleta at Malaga to receive his almost annual goring (a 6-in., 14-stitch groin wound), but, following a one-hour surgical mano a mano with death, was expected to return to the ring by month's end; and West Germany's pugnacious pacifist, Evangelical Church Pastor (and World War I U-boat Skipper) Martin Niemoller, 69, who, while vacationing in Denmark, suffered near fatal injuries in an auto crackup that killed...
Among the better evenings: Call Me By My Rightful Name, an interracial-triangle drama; The Connection, Jack Gelber's graphic re-creation of a junkie's pad; The American Dream, Edward Albee's surrealistic situation comedy; The Zoo Story, Albee's famed mano a mano between Natural and Ivy League Man, running on a double bill with Samuel Beckett's lucid monologue, Krapp's Last Tape; Hedda Gabler, another excellent production in the Fourth Street Theater's Ibsen series; The Balcony, French Playwright Jean Genet's superb argument that the world...