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Word: manon (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...tell young Bill Carey (Robert Taylor) early in this picture, "we are less concerned with changing things than with enjoying them." A half-caste who-has made himself one of the richest men in French Indo-China, M. Delaroch is content to enjoy the attentions of half-caste Manon de Vargnes (Hedy Lamarr), cares nothing about her ambition to escape to Paris and change herself into a Frenchwoman. When Bill takes a good look at Manon, jumps the yacht on which he has been a guest in order to marry her and help her change her life, M. Delaroch assumes...

Author: /time Magazine | Title: Cinema: The New Pictures: Aug. 28, 1939 | 8/28/1939 | See Source »

...Including sometimes-sensible Critic George Bernard Shaw, who hailed Puccini as the successor of the great Giuseppe Verdi, when Puccini's Manon Lescaut was given its first London performance...

Author: /time Magazine | Title: Music: Perennial | 6/13/1938 | See Source »

...Take Romance follows a familiar cinema routine, its guiding milestones clearly visible from the outset. All along the dusty way are conveniently spaced settings for the Drinking Song from La Traviata, the duet from Madame Butterfly, the finale to the third act of Martha, the Gavotte from Manon and the Old Red Rooster arietta from She'll Be Comin' 'round the Mountain. The title song is a sweet-and-dreamy for the radio groundlings...

Author: /time Magazine | Title: Cinema: The New Pictures: Dec. 20, 1937 | 12/20/1937 | See Source »

Later performances of the week, Massenet's Manon and Bizet's Carmen, rested with the latterly feeble "French" contingent of the Metropolitan's forces which now consists almost exclusively of Americans, Australians, Brazilians, Italians, Belgians and Germans and produces a corresponding hash of styles...

Author: /time Magazine | Title: Music: Metropolitan Opera | 12/13/1937 | See Source »

...present standards, however, pretty Bidu Sayao as Manon, Richard Crooks as Des Grieux, John Brownlee as Lescaut dished up a digestible version of Massenet's very Gallic score. Bruna Castagna, whose buxom, pleasant Carmen is the best Manhattanites have heard since the days of Geraldine Farrar, had a nearspat with Conductor Gennaro Papi when he tried to slow down her singing of the Habanera. But the incident passed off in mutual glares...

Author: /time Magazine | Title: Music: Metropolitan Opera | 12/13/1937 | See Source »

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