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Those who like it sweet can indulge in the down-home flavor of pecan-butter brittle confected by Buckley's Candies of Louisiana. Sophisticated and pricier are some imports from Belgium: Le Chocolatier Manon's bittersweet chocolates filled with mandarin orange liqueur and burnt caramel. Even more stunning is its big marbleized chocolate scallop shell that holds nine chocolate praline fruits de mer -- mussels, crayfish and shrimp -- a dessert that delights the eye as much as the palate...

Author: /time Magazine | Title: Food: Fancy Is as Fancy Does | 7/27/1987 | See Source »

...vast, elemental forces. The other, astonishingly enough, is Greek drama, in which the psychological intimacy among characters is irrelevant, since their destinies are determined by the workings of blind fate. Though naturalism is the controlling mode of Jean de Florette, audiences should bear the Greek model in mind when Manon des Sources, the second part of this work, is released in the fall. In it the eerily beautiful Emmanuelle Beart plays Jean's daughter Manon, now grown up and ready to take vengeance on her father's tormentors. To be prepared for this classic drama is one more reason -- though...

Author: /time Magazine | Title: Cinema: Time, Space and the Joy of Evil JEAN DE FLORETTE | 7/20/1987 | See Source »

Berg wrote his concerto in 1935 after the death of Manon Gropius, the beloved daughter of his friend Alma Mahler and the architect Walter Gropius. The girl died at 19 of polio and the composer dedicated the work "to the memory of an angel." Robbins' scenario begins quietly and a bit flatly as Farrell moves with increasing stiffness and bafflement between her lover (tenderly danced by Joseph Duell) and friends. Suddenly they move off and she is left with a gauntly beautiful angel of death (Adam Luders). Their pas de deux is the heart of the ballet. The moves...

Author: /time Magazine | Title: Dance: Toward Elysium | 6/24/1985 | See Source »

...personae. Their story appears little more than a cluster of vignettes, a series of day-in-the-life enes, all intimately personal but somehow not private. None of the important characters minds that people are watching: Michelle because she lacks inhibition. Guy because he is obliviously drunk and retarded, Manon because the real world is not her home...

Author: By Debra K. Holmes, | Title: Loose Morality | 4/2/1981 | See Source »

...STARE AWAY at Michelle bathing, at Manon padding about the house in torn outgrown pajamas, at Guy sweating and drooling in his sleep. The movie is so permeated by the crisp snap-crackle-pop of late autumn in the mountains, so unabashed before the imperfect facts of life (like flat tires, cracked boots and dirty dishes), that the ugliness takes on an indefinable glow, Les Bons Debarras tells it like it is, but in the process manages to make it magic...

Author: By Debra K. Holmes, | Title: Loose Morality | 4/2/1981 | See Source »

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