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...opera performance than voice, of course. Beverly rightly describes herself as a singing actress, with equal stress on each word. That is why her live performances will always be more exciting than her recordings, successful as those recordings may be (the recent four-LP set of Massenet's Manon has sold 25,000 copies in a market where sales of 10,000 for a single LP are considered substantial). "I'm a visual performer," she says. "I have to act, use facial expressions, get mood changes across. It's hard to share any of this with a microphone. I need...

Author: /time Magazine | Title: Music: Beverly Sills: The Fastest Voice Alive | 11/22/1971 | See Source »

Acting as compelling as that comes partly from shrewd instinct, partly from careful planning. Beverly, whose IQ is 155, reads voluminously into the backgrounds of her roles and thinks them through imaginatively. Behind her pigeon-toed bumpkin in the first act of Manon, for example, lies this Sills analysis: "She was born with a good bosom and a shock of unusual-colored hair, whatever the color. She probably has gone barefoot all week except Sundays. Mama has probably caught her in the hayloft with one of the farm hands and decided that this kid is too much...

Author: /time Magazine | Title: Music: Beverly Sills: The Fastest Voice Alive | 11/22/1971 | See Source »

...FREE MANON AND CALLEY answers the lapel button. If one murderer should go free, why not both...

Author: By Jerry T. Nepom, | Title: Oh Calley, Poor Calley | 4/20/1971 | See Source »

...starker psychology of expressionism began to lose their distinctiveness and prove permeable and complementary. The last magnificent statements of the musical expressionistic esthetic were Alban Berg's operas Wozzeck (1921) and Lulu (1935), and his Violin Concerto (1935), an elegy written upon the death on Mahler's daughter Manon. The neurasthenic romanticism of Mahler was transmuted in these works to a testament and a valedictory. The plasticity of musical idioms was clearly responding to a mellower comprehension of what had happened to man as a result of the conflagration. Composers were succeeding in speaking in the distorted world of Kafka...

Author: NO WRITER ATTRIBUTED | Title: The Musical Avant-Garde | 5/15/1969 | See Source »

...ingenue in her early films, Deneuve is well on her way to becoming a serious star; besides making Belle de Jour, which won the grand prize at last year's Venice Film Festival, she was the schizophrenic in Roman Polanski's Repulsion, played an updated version of Manon Lescaut called Manon 70, and has just finished...

Author: /time Magazine | Title: New Movies: Belle de Jour | 4/26/1968 | See Source »

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