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Metropolitan Opera (Sat. 2 p.m., ABC). Massenet's Manon, with De Los Angeles, Valletti, Corena, Hines...

Author: /time Magazine | Title: TELEVISION: Program Preview, Dec. 20, 1954 | 12/20/1954 | See Source »

...opera, a sunny revival of Cherubim's The Portuguese Inn, the San Francisco Chronicle's Alfred Frankenstein called her "the very incarnation of youthful feminine grace and vivacity." Even before she had appeared in her other roles (in Mozart's Marriage of Figaro, Massenet's Manon), the San Francisco Opera decided to invite her back next season...

Author: /time Magazine | Title: Music: Triple Treat | 10/4/1954 | See Source »

Gianni Poggi: Operatic Recital (London). A young (32) lyric tenor from La Scala shows a golden voice and a fine feeling for Italian-opera tradition in these seven selections from Il Trovatore, Manon Lescaut, Andrea Chenier, etc. Tenor Poggi is due for U.S. appearances next year...

Author: /time Magazine | Title: Music: New Records, Aug. 23, 1954 | 8/23/1954 | See Source »

Henze's plot takes the old story of Manon Lescaut forward to the Paris of 1950 and turns its willful heroine into a strumpet and murderess, her brother into a pimp and thief. Henze's music is largely in a clangorous twelve-tone technique...

Author: /time Magazine | Title: Music: Shocker in Rome | 4/19/1954 | See Source »

What bothered Romans was the sordidness of Henze's Manon & Co. in contemporary setting. And they found the patience of Manon's wronged lover, Armand, especially intolerable. When Manon betrayed him for the last time, he sang, "I can stand it no more!" and the audience, almost as one, howled back, "Neither can I!" Even the old gentlemen of the Hunt and Chess clubs, who occupied stage boxes, stood up and yelled "basta!" (enough!) with the gang in the balcony. At times, the only indications that music was being performed were the movements of singers' mouths...

Author: /time Magazine | Title: Music: Shocker in Rome | 4/19/1954 | See Source »

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