Word: mans
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Dates: during 1960-1969
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Table Volcano. A big, burly man who looks like a scholarly truck driver or an agile Bacchus, Oldenburg is shy but not modest. "I am a magician," he says. "A magician brings dead things to life." His sculptures of food, for example. Typical, terrible American cuisine fascinates him, the kinds of things dieters like Oldenburg himself try to avoid: a wedge of pecan pie, a banana sundae, racks of assorted pastry, ice cream, cheeseburgers. Made of plaster, slathered with lush enamel paint, these goodies actually seem ready for the consumer's fork and spoon. But like four-color advertisements...
...positions. I established guidelines, but the pieces must be arranged by others or it arranges itself." Oldenburg's Soft Drum Set takes an object specifically noted for its tautness and its sharp staccato clatter and expresses it as a chaos of relaxation. The Drum Set looks more like man's viscera than his toy (another example of a body image) and its muteness almost rings in the ear like a parade that has passed...
Claes carries a notebook everywhere, and his drawings have an immediate impact. Free, energetic, powerful, they reflect the man's intellect, brobdingnagian humor and conviction in his vision. In 1964 when Oldenburg was flying back from a trip to Europe, he looked at New York and "suddenly it seemed as if the city had gotten smaller or I had gotten bigger." The whole idea of scale started him thinking about monuments, and so he drew them. Not monuments in the usual sense of statues or obelisks, they were things that attain monumentality through constant use: a toilet float that...
...himself is toiling to make the nation's campuses erupt next spring-in a giant, peaceful teach-in about environmental evils. As he has been telling audiences across the country for the past month: "The new generation is not satisfied with coming out on the losing end of man's drive for progress and profit...
...McHarg is a 48-year-old landscape architect who delights conservationists with eloquent speeches that blast man the polluter as "a blind, witless, lowbrow, anthropocentric clod." With his Scottish burr, fierce beard and piercing eyes, McHarg is a cross between Jeremiah and a kind of male Rachel Carson. He is not only a symbol of rising anger at environmental abuses, but a successful practitioner of the hard art of stopping those abuses. In his new book, Design with Nature, which Lewis Mumford calls "a vision of organic exuberance and human delight," McHarg clearly shows that the main obstacle to saving...