Word: mans
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Dates: during 1960-1969
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...maintain that it is dangerous to show too much to people who do not know what they are looking at. I think that a man who is sane as long as he looks at the world through his own eyes is very likely to become a dangerous madman if he takes to looking at the world through telescopes and microscopes...
...Somebody," George Bernard Shaw once said, "must take the Garden of Eden in hand and weed it properly." Obviously, the man that Shaw had in mind for the job was himself. In Back to Methuselah, his five-play cycle completed in 1921, he tried to settle once and for all the meaning of creation ac cording to the Shavian doctrine of creative evolution. Written when he was 65 and for once heedless of commercial practicalities, the drama is frankly intended as his philosophical summa. Unfortunately, as a new London production by Britain's National Theater makes clear...
...Shaw's conception, Adam and Eve are unable to bear "the terrible burden of immortality." They opt instead for a mortal span of 1,000 years, and their fallen heirs settle for progressively less. At last, in the 20th century, man realizes that his days have grown far too short. He is only a vessel of the life force that is evolving along "the path to godhead," and if civilization is to advance or even survive, he must learn to live to a riper, wiser age. Over the next 300 centuries, he begins working his way back to Adam...
...never knew but one artist who could resist the temptation to see things as they ought to be, rather than as they are, and that's Tom Eakins." Walt Whit man was one of the few people who had anything good to say about the cold-eyed and ruthlessly honest Philadelphia realist. Aside from the poet, whom Ea kins portrayed in 1888 as a twinkling old sage, few people could stand having their character laid bare with the visceral objectivity that Eakins brought to portraiture. He used his brush like a surgeon's scalpel, exposing old wounds, concealed...
Mitigating Anguish. "One of the most interesting aspects of the group," Philadelphia Director Evan Turner points out, "is Eakins' approach to the 19th century Catholic personality. There was a great religious crisis at that time. As a man who had stood up to criticism himself, he sympathized with men who followed a similar course." Indeed, the publication of Darwin's theory of evolution and the widespread acceptance of scientific method shook the church to its foundations. The depth of the crisis, as Eakins saw it, can be measured in each man's eyes...