Word: mans
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Dates: during 1960-1969
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...city whenever the two come in direct contact. Koumiko is isolated when she is walking, behind a train window when she looks at the countryside, or present on the soundtrack but absent from the screen. In one sequence, we see Koumiko walking down a street next to a man whose face is obscured by a mirror he is carrying. Koumiko herself is not reflected in the mirror. She repeatedly looks to her right, then turns her head to see the same view in the mirror. As she does so the film switches back and forth between black and white...
...eyes, she is seen as a love object. Since the film was edited in France (a fact purposely presented to the audience), it is clear that Koumiko is a memory. Marker is an outsider to Koumiko not only because he is a European but because he is a man. (The similarities between this and Hiroshima, Mon Amour are obvious and, I believe, intentional.) Solving the mystery would destroy the romantic quality both of the woman and of the memory...
There was also a black and white poster, apparently from the police station, showing a full-sized outline of a man's body with a rating system for the most vulnerable parts to shoot...
...PLAYHOUSE (NET, 8-9:30 p.m.).* David Hemmings stars in Auto-Stop as a young man who goes on a hitchhiking trip across Europe to impress an older woman. Repeat...
MARRY ME, MARRY ME. This wistful French comedy is the story of the trials of a courtship. Although Claude Berri (The Two of Us) wrote, directed and stars in the film, it is not a one-man show but a commanding display of ensemble acting...