Word: mans
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Dates: during 1960-1969
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...explains one Ohio physician, "spent their teens in the Depression, their 20s in the worst war in history, their 30s trying to make up for lost time. And now they must stay ahead in the age of cybernetics." Because of the computer, more information is readily available than any man can digest; but many executives push relentlessly in an effort to keep abreast. To make things tougher for them, jet travel has broken down the constraints of distance. With the farthest plant or subsidiary only hours away by air, many executives get into the habit of dashing off on grueling...
...tension they face, many businessmen do not suffer from executive breakdowns. To find out why, two San Francisco physicians, Dr. Ray Rosenman and Dr. Meyer Friedman, have been keeping records on 3,000 men from ten corporations since 1960. They have divided their subjects into two groups. The "A" man is aggressive and harddriving, the kind of competitor who hates to lose. He is almost surely heading for trouble. The "B" man is more relaxed. He does not take his problems away from the office, and he is occasionally late to work. He also lives longer. Since the study began...
...Man in the Middle. Other doctors dispute the relationship between hard, stressful work and poor health. Dr. Lawrence Hinkle of Cornell studied the health of 270,000 Bell System employees over a five-year period and found that executives suffered 43% fewer heart attacks than blue-collar workers. He concludes that a process of natural selection operates to ensure that the men who make it to the president's office are the strongest...
...chief conspirator in The Lost Man is Jason Higgs (Sidney Poitier), a radical organizer who plots a theoretically infallible payroll robbery. But harassed by police and chivied by a disciple of nonviolence (Al Freeman Jr.), Jason seems cursed from the opening. When the robbery erupts into blood and death, it is only a formal ratification of doom. Jason's descent from provocateur to fugitive and his ultimate Tristan and Isolde death scene with a white chick (Joanna Shimkus) are even stagier and more predictable...
This year, two movies about black rebellion have imitated film classics of the Irish revolution. Up Tight (TIME, Jan. 3) was based on The Informer; The Lost Man is a darkened copy of Odd Man Out. The transatlantic temptation is all too understandable, for as a French revolutionist observed, "The poor are the Negroes of Europe." Nonetheless, the Irish fiction grew from a native soul and soil. The Lost Man is a legitimate and anguished cry that suffers in translation...