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...show at the Museum of Modern Art (MOMA) in New York City, which runs there until Jan. 25. It's a collective of fierce individuals and a continuing work in progress. But while the school may have been a group enterprise, it was largely the creation of one man. In 1919, the year it opened, Walter Gropius was a young German architect recovering from dual traumas--World War I and his turbulent first marriage to the formidable Alma Mahler. One of history's supreme narcissists, she betrayed her first husband, composer Gustav Mahler, by having affairs with both Gropius...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

That lyrical and nostalgic strain was amplified by Johannes Itten, the unlikely man Gropius first picked to teach the entry course. A vegetarian, Zoroastrian and state-of-the-art bohemian, Itten knew more about yoga than he did about factory floors. In the years when he set the tone for much of what the school produced, the would-be school of industrial art could seem more like a hippie craft shop. A product of the Bauhaus could be a hand-thrown pot or a funky hand-carved chair...

Author: /time Magazine | Title: Haus Beautiful: the Impact of Bauhaus | 11/23/2009 | See Source »

Thanks for Richard Corliss's tribute to Soupy Sales [Nov. 9]. What it didn't mention was the utter devotion children of the 1950s felt for this dear and roguish man. We joined him every weekday for lunch. At the end of each show, he told us his menu for the next day so we could request the same. He called us his "little birdbaths" and warned us not to scratch our chicken pox. When he danced the Soupy Shuffle, he helped us forget about the looming threat of the Bomb. With his goofy antics, Soupy showed us we could...

Author: /time Magazine | Title: Inbox | 11/23/2009 | See Source »

...done so. A few years ago, I moved back to downtown Detroit after retiring from the Los Angeles Police Department. I wanted to be part of the solution to Detroit's problems. There is no doubt that the Jesuits inculcated in me a responsibility to serve as a "man for others...

Author: /time Magazine | Title: Inbox | 11/23/2009 | See Source »

Benedict certainly didn’t self-censor as he condemned contemporary artistic representations of beauty as “illusory and deceitful.” He went on to argue that such art “imprisons man within himself and further enslaves him, depriving him of hope and joy.” (Tough words for those of us who didn’t know we were enslaved in the first place: could the papal library stock Weber and Nietzsche?) The spleen was perhaps only to be expected from a bishop who, prior to donning the mitre, frequently provoked...

Author: By Jessica A. Sequeira | Title: The Art of the Matter | 11/23/2009 | See Source »

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