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Spots and Peaks. Since Chateaubriand, like his country, was a latecomer to art collecting, the classical, medieval and Renaissance periods are only spottily-though sometimes handsomely-represented. There are two Titians, a Raphael Resurrection of Christ, a Mantegna St. Jerome, a commanding Velásquez portrait. There are also some diverting minor works, such as Quentin Metsys' Contract of Marriage, a droll example of genre by a Flemish contemporary of Erasmus, showing a young man dutifully snuggling up to an ugly but rich old wife...

Author: /time Magazine | Title: Painting: Impressionists Revisited | 1/31/1969 | See Source »

...Mind. Passion stamps the paper that the artists have sketched on. Most of the works in Sachs's collection are small. A ghostly group of apostles in bistre (a soft soot brown) watch Christ ascend off the paper in the deft dreaminess of the quattrocento hand of Andrea Mantegna. Sachs loved the graphics of Edgar Degas (he owned 21), and one of the best is the 12-in. by 9-in. brush drawing A Young Woman in Street Costume. Despite its smallness, the purity of the girl's soft profile gives it the monumentality of proud, aloof youth...

Author: /time Magazine | Title: Art: A Friend of the Fogg | 1/13/1967 | See Source »

Beauty in a Wart. Diirer was 23 when he made his first of several trips to Italy. There he saw the orderly beauties of Greco-Roman antiquity, heightened through the Renaissance eyes of Mantegna and Da Vinci. Their cool confidence in man vied with his apocalyptic Gothic attitudes. He never got over all of them, recorded a nightmare in 1525: "Many big waters fell from the firmament, with great violence and with enormous noise, and drowned the whole land." But he asserted the new idea that the visible world was the true subject...

Author: /time Magazine | Title: Painting,Graphics: Hot-Rod Heraldry | 11/12/1965 | See Source »

Died. Murray Pease, 60, conservator of Manhattan's Metropolitan Museum, one of the world's top art detectives who, armed with infrared film and chemical analysis, waged war against forgeries, in 1945 proved that Andrea Mantegna's signature on the museum's Meditation on the Passion had been painted over that of a lesser-known Renaissance master, Vittore Carpaccio (the museum did not mind: it had three Mantegnas but no Carpaccios, which are almost as valuable); of a heart attack; in Southold...

Author: /time Magazine | Title: Milestones: Aug. 21, 1964 | 8/21/1964 | See Source »

...Mantegna was a pivotal figure in the art of northern Italy, but his influence spread beyond. Rembrandt for a time used his work as a model, and in the month of September 1506. Albrecht Diirer set out for Mantua just to meet him. Diirer was too late. Before he ar rived, the old master of Mantua died of apoplexy...

Author: /time Magazine | Title: Art: The Glory of Mantua | 9/8/1961 | See Source »

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