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...first group of lectures is on early Italian engravings and woodcuts and will be given on Thursdays at 5 o'clock starting on November 13 with a talk entitled "Finiguerra and the Beginnings of Engraving in Florence." Other dates and subjects are November 20, "Florentine Engravings;" November 25, "Mantegua and North Italian Engraving," December 4, "Book Illustration;" and December 11, "Chiaroscuro Woodcut...

Author: NO WRITER ATTRIBUTED | Title: HIND WILL DELIVER TWELVE ART TALKS | 10/29/1930 | See Source »

...Italian artists represented the most important are: Andrea Mantegua, Marc Antonio Rainmondi, Boldini, Giovanni Antonio, and Robetta. One whole case is given up to the "Liber Studiorum" of Turner and beside these are placed some valuable etchings by Claude Lorraine. There are some beautiful impressions by Durer from "The Melencolia," "The Great Fortune," and "The Shield and Skull." In addition to these are his portraits of Melanchthon, Piekheimer and Erasmus. These are all metal engravings. Among the wood engravings by Durer are a number from "The Great Passion," and "The Little Passion," which are two of his most valuable series...

Author: NO WRITER ATTRIBUTED | Title: Fogg Art Museum. | 11/3/1897 | See Source »

...Ruggles and E. P. Doherty, both of whom were eye-witnesses. The "Present Day Papers" are continued by an article on Problems of the Family by Rev. Samuel W. Dike, and W. J. Stillman adds to his series on the Italian Old Masters by a paper on Andrea Mantegua, with a fine engraying by Timothy Cole. The second paper in Professor Fisher's series on the Nature and Method of Revelation is entitled "The Gradualness of Revelation." Among the lighter articles is the Autobiography of Joseph Jefferson and the "Merry Chanter" by Frank R. Stockton, both of which are very...

Author: NO WRITER ATTRIBUTED | Title: The Century Magazine for January. | 1/6/1890 | See Source »

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