Word: mantello
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Sondheim and Weidman have made only minor changes for the new production (directed by Joe Mantello) beyond including a new song, Something Just Broke, written for the 1992 London version. It's a nice addition to a score that is (oddly, given the subject) one of Sondheim's most tuneful and accessible, with its stylistic echoes of American folk ballads, gospel hymns, Sousa-style marches and turn-of-the-century waltzes. Sondheim has little patience for the long-voiced criticism that many of his scores abandon melody for astringent experimentation. "I do what is required for each show," he says...
Which isn't to say Wicked, under Joe Mantello's assured direction, lacks fun. The show gets laughs by playing off famous bits from the movie. ("What's in the punch?" "Lemons and melons and pears." "Oh my!") It also provides a showcase for two fabulous Broadway stars. Kristin Chenoweth, the Kewpie doll who won a Tony for You're a Good Man, Charlie Brown, is a perfect delight as Glinda. In the tougher role of Elphaba, Idina Menzel is possibly even better, a mix of vulnerability and feminist passion, with a rock voice to raise the roof. With...
...Assassins is a show which asks audiences to think critically about various aspects of the American experience. In light of [Sept. 11th’s] murderous assault on our nation and on the most fundamental things in which we all believe, we, the Roundabout, and director Joe Mantello believe this is not an appropriate time to present a show which makes such a demand...
...takes real chops to do this stuff," raves her director, Joe Mantello. It takes chops for Flockhart even to sit for an interview these days, since it usually means having to defend her eating habits to total strangers. (She's thin, folks.) But talking in quiet, manicured tones in her dressing room, Flockhart, 34, explained why she chose to spend her hiatus from TV work appearing in a dark off-Broadway play that will do little to boost her stock with Hollywood moguls shopping for the next Julia Roberts. "There was no [career] strategy involved," she says. "I decided back...
...Pity the play that doesn't live up to its advance "controversy." Terrence McNally's recasting of Christ as a contemporary homosexual might have drawn more fans had it really been a gay Godspell, as some sniffed. Instead it's a sober, impassioned work, given great force by Joe Mantello's clean and clever staging...