Word: mantua
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Dates: during 1930-1939
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...some 300 students, faculty members and guests gathered at Johns Hopkins to hear a program of music written for pathological purposes. The program, put together by famed Medical Historian Dr. Henry Ernest Sigerist, included a "Frottola" by 16th-century Composer Marchetto Cara, written to help cure the Marchese of Mantua of syphilis; a piece played in the 17th Century to cure tarantism, popularly believed to be caused by the bite of a tarantula; hymnlike music originally addressed to St. Sebastian, who was believed to protect the faithful against the plague...
...Florentine musician in the court of the Duke of Mantua named Claudio Monteverde produced one of the first real operas. This work, "L'Orfeo", was revolutionary in character for it employed a wide varsity of musical forms as well as utilising what was then an unusually large orchestra. From this opera, two orchestral interludes titled Sinfonie and Ritornelli are to be played by the Symphony, providing an excellent seventeenth century balance for the rest of the program...
...Francesco di Bartolommeo di Zanobi del Giocondo. Of Lisa little is known. Last week Dr. Raymond S. Stites, professor of art and esthetics at Antioch College, ended a twelve-year job of checking Vasari, announced that the woman was Isabella d'Este, wife of Francesco Gonzaga, marquis of Mantua. Of Isabella d'Este, "first lady of her time," a great deal is known...
...when his patron married Beatrice, younger and more beautiful of the two. Between her marriage at 16 and her death in childbirth at 22, Leonardo saw much of her and painted two of her husband's mistresses. Two years after her death he left Sforza and stopped at Mantua where he saw the elder sister, Isabella, in her own magnificent court. He was 47 she 25, already a brilliant, beautiful Latin aristocrat of the Renaissance. She made him promise to paint her portrait and he did a preliminary chalk drawing, which is now in the Louvre. He moved...
...manuscript by an anonymous Florentine who, in fact, does not mention a Leonardo portrait of Lisa. On the other hand, he found a profile study of Isabella by Leonardo in Vienna's Imperial Museum and another in Leonardo's signet ring in the royal archives in Mantua. His difficulty was that the Mona Lisa is nearly full-face, but he thought he saw similarities. Probing on, he found a Leonardo statue in Berlin whose profile strongly resembles the known Isabella profiles. Seen full-face, this statue markedly resembles the Mona Lisa. Dr. Stites thought he had solved...