Word: mantua
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Dates: during 1960-1969
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...schools themselves have yet to make any significant impact on school systems or on the mass of ghetto populations. None goes beyond elementary school (though most have ambitions to expand further) and Philadelphia's Mantua-Powelton Mini School probably tops the enrollment figures with 150 students. Since they draw no funds and only small numbers of children from the public schools, school administrators can afford to ignore them. The difficulty of raising funds (most schools depend on private contributions and community fund drives for money, though some get occasional boosts from federal or foundation grants) has effectively limited the number...
MONTEVERDI: IL BALLO DELLE INGRATE (Nonesuch). This musical play of 1608 taught the ladies of the Duke of Mantua's court a moral: Make love or you will go to Hades. As horrible examples, Pluto brings up from his dark kingdom an eternally damned bevy of pale beauties who, when on earth, "ungrateful, held every lover at a distance." Edwin Loehrer and the chorus and orchestra of the Società Cameristica di Lugano give the embryonic opera a convincing performance...
...show proceeds, we discover that the play is indeed intended to be Spanish--or is it Mexican? There are Spanish guitars; Petruchio and even Kate herself puff long cigars. Why all this Hispanicism for a work that makes so many specific references to Padua, Pisa. Florence, Mantua, Rome, Verina and Venice? Even the virtue of consistency is absent, however--especially in Hal George's costumes, which range in style all the way from the Renaissance to Dickens...
Empress of Rome. Born in 1567, the son of a physician of Cremona, Claudio Monteverdi quickly nudged the Italian Renaissance out of its hidebound musical stance. As a young master of the madrigal under the patronage of the ducal Gonzaga family of Mantua, he met with success but grew weary of music's rigid rules. The seesaw violin bored him, so he invented the tremolo and pizzicato...
...people, but in Roman Catholicism it often seems to be exclusively a job for priests. Compared with most Protestant denominations, in which congregations participate in the service with hymns and responses, Catholicism at prayer is a church of silence. Enter almost any Roman Catholic church in Manhattan or Mantua or Manila: the priest at Mass will be standing at the altar, his back to the congregation, mumbling almost inaudibly in Latin, while the laymen in the pews silently finger rosaries or flip through the pages of their missals to find out what prayer the celebrant has reached...