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...Hollywood producer, learned that Dietrich was preparing a Hughes book and said he could help find an agent. On the advice of Novelist Irving Wallace (The Prize), Meyer suggested Wallace's agent in New York, Paul Gitlin, who handles other authors such as Harold Robbins. Meyer took the manuscript from Dietrich and channeled it, chapter by chapter, to Gitlin in New York...

Author: /time Magazine | Title: CRIME : The Fabulous Hoax of Clifford Irving | 2/21/1972 | See Source »

That process began in November 1970. Gitlin read the chapters as they came in, and sent word to Dietrich that the book seemed "indifferent and rather average." In January 1971, Gitlin sent the manuscript to Simon & Schuster, which kept it for two weeks. Then in February, says Gitlin, Phelan on his own submitted parts of the book to Look magazine for possible serialization. Phelan denies that he ever approached Look...

Author: /time Magazine | Title: CRIME : The Fabulous Hoax of Clifford Irving | 2/21/1972 | See Source »

...case, a copy of the manuscript was out of Dietrich's hands for about three months early last year. Phelan completed the manuscript in April at just about the time Irving allegedly began having his first serious interviews with Howard Hughes. It is possible that Irving had already conceived a Hughes project when the Phelan manuscript fell into his hands. He had begun discussing the project with McGraw-Hill in January 1971, when Phelan was midway in his work...

Author: /time Magazine | Title: CRIME : The Fabulous Hoax of Clifford Irving | 2/21/1972 | See Source »

Last June, Irving appeared at a house in Cathedral City, Calif., that belonged to Stanley Meyer's mother-in-law. There, Meyer says, he approached Irving, whom he had known in Los Angeles ten years before, and asked if he would be interested in rewriting the Phelan manuscript for Noah Dietrich. "No, I can't," Irving replied. "I'm already doing a book on the four richest men in the world [including Howard Hughes]." That was not unusual; all through the project, Irving disguised the fact that he was interested only in Hughes by saying...

Author: /time Magazine | Title: CRIME : The Fabulous Hoax of Clifford Irving | 2/21/1972 | See Source »

Oddly enough, it was the earlier Osborn certification of Hughes' handwriting that had kept Phelan from suspecting that his manuscript might be the source of Irving's fraud. "Up until about ten days ago," he recalled last week, "I still thought the Irving manuscript was authentic." What triggered Phelan's realization and brought him to TIME'S McCulloch was the leaked story about a Hughes aide who talked with Howard from Hedda Hopper's closet. It was Irving's story -straight from Phelan's work...

Author: /time Magazine | Title: CRIME : The Fabulous Hoax of Clifford Irving | 2/21/1972 | See Source »

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