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...make The Soft Machine even less coherent than his grotesque Naked Lunch, William Burroughs scissored up his manuscript and pasted it back together higgledy-piggledy before turning it in to his publishers. Result: a hallucinatory little nonbook of babble whose most distinguishing feature is a preoccupation with sodomy and the dubious joys thereof. Burroughs apologists insist that there are plot and Profound Meaning imbedded in the book, but only a cultist will find them...

Author: /time Magazine | Title: Books: Short Notices: Apr. 8, 1966 | 4/8/1966 | See Source »

...Draz, 42, a graduate of Denison University in Ohio, also holds master's degrees in history (University of Pennsylvania) and library science (Western Reserve). Draz came to Time Inc. after a 61-year stint at the Library of Congress, where he headed the Reader Service Section of the Manuscript Division and later the Public Refer ence Section of the General Refer ence and Bibliography Division...

Author: /time Magazine | Title: A Letter From The Publisher: Mar. 25, 1966 | 3/25/1966 | See Source »

...Last Chapter. To a generation once removed from the holocaust of European Jewry, The Last Chapter will be an illuminated manuscript of what once was and can never be again. To some of those whose memories are longer, it will be a film almost too bitter to bear...

Author: /time Magazine | Title: Cinema: The End of the Millennium | 3/25/1966 | See Source »

...read the pages covered with his wife's precise handwriting, and discovered to his amazement that it was a suspense tale about a British couple who undertook a mission for the Foreign Office under the noses of the Nazis in Germany. He was unable to put the manuscript down until he had read the last page...

Author: /time Magazine | Title: Books: Queen of the Spies | 3/18/1966 | See Source »

...symphony. Several Mahlerites have fleshed out the last movements, including British Composer Deryck Cooke (TIME, Nov. 26), whose inspired and faithful version was used for this first recording. The anxieties of Mahler's last summer, including illness and a marital crisis, along with the marginal notes on his manuscript ("Oh God, why hast Thou forsaken me?"), suggest that the music is programmatic in the most personal way. It is a melody-drenched, emotional and yet finally serene farewell to life, love and lyre. Eugene Ormandy and the Philadelphia Orchestra give the work a smooth and haunting performance...

Author: /time Magazine | Title: On Broadway: Feb. 25, 1966 | 2/25/1966 | See Source »

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