Word: manuscripts
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Dates: during 1960-1969
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...Soviets are rehabilitating Mikhail Bulgakov, the satirical novelist and playwright who died in 1940, but so far they have not screwed their courage up to the point of publishing The Heart of a Dog, a novel recently spirited out of Russia in manuscript form. Bulgakov's complex and comical allegory, The Master and Margarita, was judged fit to be published in his homeland, after some ideological laundering. That was followed by Black Snow, a cudgeling of Stanislavsky. But these satires of Soviet life were devious enough so that the literary bureaucracy could pretend that they were not satire...
...flabby, balding and toothless bachelor, is the poet as anti-stereotype. The wind that blows on his Aeolian harp comes out mostly as stomach gas. Belching and backfiring, he sits on his toilet seat day after monotonous day composing a narrative poem about the Minotaur. Yet, as manuscript slowly fills the bathtub, Enderby is a happy and fulfilled man. Living off dividends and tiny royalties, he really needs "nothing except more talent...
Poetry, essays and autobiography were to roll from her typewriter. Anne Sullivan died in 1936 and Helen went on with Polly Thomson as her companion. Her house burned down and with it the manuscript of her book about Anne. The house was rebuilt, the book rewritten. The travels continued: to Asia, Africa and South America as well as throughout her own country...
...Omar cult," it is Robert Graves. At 72, he is established as a leading British poet, an adroit translator and an iconoclastic critic and scholar. He does not read Persian, but worked from an annotated crib prepared for him by Persian Poet Omar Ali-Shah, who claims that the manuscript has been in his family for 800 years. Yet this new Rubaiyyat suffers from Graves's apparent inability to decide whether he was writing more as a translator or as a poet. He may well have failed as both...
...wine, a loaf of bread and thou" became "one mancel loaf, a haunch of mutton and a gourd of wine set for us two alone"), but also for making some scholarly blunders of his own. L. P. Elwell-Sutton, an Orientalist at Edinburgh University, maintained that the manuscript used by Ali-Shah and Graves was "a clumsy forgery." Replied Graves: "Howling nonsense." The quarrel may never be resolved, since Graves's critics have not been permitted to examine Ali-Shah's manuscript. Thus the lay reader can only read Graves's Rubaiyyat as an English poem...