Word: marat
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Dates: during 1960-1969
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...PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UN DER THE DIRECTION OF THE MARQUIS DE SADE. An excellent rendering of the Royal Shakespeare Company stage production...
...PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Peter Weiss's play, performed by the Royal Shakespeare Company and directed by Peter Brook, was the decade's most cinematic drama, as this film version of it brilliantly demonstrates...
...PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Peter Weiss's play, performed by the Royal Shakespeare Company and directed by Peter Brook, was the decade's most cinematic drama, as this film brilliantly demonstrates...
...PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE. Under the direction of Peter Brook, Britain's Royal Shakespeare Company has transformed Peter Weiss's play into a cinematic rowdydow no less frazzle-dazzling than it was on the stage...
...palsied herd of flustered souls, is the first and most grievous wrong. It is a commonplace of Shakespearean criticism to say that some of the characters in Twelfth Night act so cruel that they seem insane, but that is no license to turn the play into a cut-rate Marat-Sade. To interpret the play that way is to say, "Be calm, audience, real people are nice. You have to be bonkers to be vicious." The audience should not be allowed to rest so easy...