Word: marat
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Dates: during 2000-2009
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This play is also known as “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade.” We’re not sure what it’s about, but it supposedly involves “a sleepwalker with a knife, a firebrand ex-preacher, four gin-riddled singers, a sexual maniac with a wig, a schizoaffective historical re-enactor, a histrionic man in a bathtub, his mistress, and a Spanish guitar...
...madness of the French Revolution and the madness of the everyday overlap and intertwine in “Marat/Sade,” the Harvard Radcliffe Dramatic Club’s production of Peter Weiss’ 1963 play, “The Persecution and Assassination of Jean Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade.” The production, which opens tonight and runs through November 7 at the Loeb Experimental Theater, tells the story of that infamous character for whom the term “sadism?...
...true events. In the early 19th century, Sade was indeed imprisoned in Charenton, where he staged performances using other inmates as actors. The play within “Marat/Sade” focuses on just one of these stagings: Charlotte Corday’s murder of Jean-Paul Marat at the height of the French Revolution’s political terror...
...play saw its first English production in 1964, when it was taken up by the Royal Shakespeare Company under the direction of Peter Brook. According to director James M. Leaf ’09-’10, this production had served as a commentary on the Cold War; Marat was used as an allegory for East Berlin, Sade as an allegory for the West. This particular interpretation, which pitted one titular character against the other, possesses little contemporary relevance in Leaf’s play, which lays its emphasis more on the relationship and similarities between the two characters...
...British periodical Punch in 1849. But she couldn't resist including a smattering of unpopular characters, too. The so-called Chamber of Horrors still displays an anonymous Sans-Culottes standing close to the decapitated heads of some of the French Revolution's aristocratic victims. Nearby a lifeless Jean-Paul Marat bleeds into his bath...