Word: marat
(lookup in dictionary)
(lookup stats)
Dates: during 2000-2009
Sort By: most recent first
(reverse)
...occasional musical interlude). But it’s also a drama about events which took place 200 years ago driven by theories of theater half that age. One look at the show’s original 1963 title, “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,” should raise a flag: this is not a straightforward piece of writing...
...underlying story is fairly simple. Sickly with a skin disease, revolutionary leader Jean-Paul Marat (Mark A. Moody ’07) spent much of the revolution in a bathtub, writing pamphlets and soothing his sores until he was murdered by Charlotte Corday (Elyssa Jakim ’10). Performed in the insane asylum, the act’s unfolding is rich and nuanced. The cranky, nervous Marat is played by a paranoiac who at times must be detained because of his episodes; his words are twisted and debated by the cool and assured Marquis de Sade (Olivia J. Jampol...
Unfortunately, some more subtle aspects of the script never fully rise to the surface. Marat and Sade’s long debate about the nature of mankind comes across as exactly that—a debate more arcane than compelling. Leaf has said that he wished to compare the two title characters rather than contrast them, as is normally done, but in doing so, he fails to exploit the text’s inherent strength. Marat and Sade are so physically different—one spends most of the play horizontal and infirm while the other fully commands the stage?...
This play is also known as “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton under the Direction of the Marquis de Sade.” We’re not sure what it’s about, but it supposedly involves “a sleepwalker with a knife, a firebrand ex-preacher, four gin-riddled singers, a sexual maniac with a wig, a schizoaffective historical re-enactor, a histrionic man in a bathtub, his mistress, and a Spanish guitar...
...Sade and Marat as much more closely allied in some ways,” Leaf says, who used the interplay of the two temporally-divided settings—the asylum and the revolution—to help create the bond...