Word: marat
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...theater, Peter Brook is more of a general than a visionary. A brainy and restless director, he rules his actors like a task-force commander, dispatching them on missions of dramatic exploration-most notably in his production of Marat / Sade. In a new book, The Empty Space, Brook displays himself as a man in the ironic position of being grafted to the theater while finding most of it lifeless. Based on a series of four lectures that he delivered to English university students, the book is divided into four sections: "The Deadly Theater," "The Holy Theater," "The Rough Theater...
Peter Weiss' play Marat/ Sade was explicitly based on a cryptic plot suggestion by Artaud. As directed by Brook, it proved to be one of the most fecund works in the contemporary theater. The naked backside of Marat has turned the stage into a kind of auxiliary nudist camp. The tormented, writhing chorus of the inmates at Charenton popularized choreographic stage movement in straight plays, and the eerie sounds and gestures have become the language of antiword drama...
...this led to a theater of holiness? Considering the offspring of Marat / Sade-Hair, Futz!, Tom Paine, Dionysus in '69-one scarcely thinks of holiness but of a kind of Corybantic Holy Rollerism. There is no deep ritualistic satisfaction in hearing the Dionysus in '69 troupe sibilantly repeat, "May I take you to your seat, sir?" in a seatless theater. Brook, of course, should not be blamed for his disciples. He himself expresses uneasy doubts as to whether the theater can restore rit ual or serve as displaced religion...
WOODSTOCK, N.Y., Playhouse returns to the insane asylum in The Persecution and Assassination of Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade...
...Atlantic, new ideas seem to have deserted playwrights to lodge with directors. Of these, Peter Brook, a man of agile intellect and strong disciplinary instincts, is incomparably the most influential. He may be more of a comet than a planet, but currently light follows wherever he streaks. His Marat/ Sade, with its writhing choreographic movement and untrammeled vocabulary of sound, was the first step toward a revolution in drama: making the theater a director's medium...