Word: marat
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Image & Movement. The Marat of the revolution is Moviemaker (The Brig) and Movie Critic (Village Voice) Jonas Mekas, 44, a shy man with long greasy hair who looks like a slightly soiled Elijah. In print and in person, Mekas passionately proclaims the death of the film as an industry and the birth of the film as an art. "The new cinema is passion," he says, "the passion of the free creative act." The old cinema, as Mekas sees it, was esthetically no more than an extension of the theater. The new cinema, though it will also tell stories, will...
...last two productions, Shakespeare's Timon of Athens and Gogol's The Government Inspector. Staircase is an offbeat black comedy about a homosexual "marriage"; Scofield plays a middle-aged barber; his partner is Patrick Magee, who played Sade in the London and Broadway companies of Marat /Sade...
...family's good name," ruled the magistrate. So, thanks to the Comte Xavier de Sade, an eminently proper gentleman farmer from Condé-en-Brie, the name of his peculiar forebear, the Marquis de Sade, was ordered removed from the billboards advertising the Paris production of Marat Sade. Protested Producer Tony Azzi: "Real sadism...
...marching scenes and horas. But there are other problems. Kimball and Kimbrough, while excellent, are all too evidently acting toward their roles from their personalities (which shouldn't exist); the result is a lag in the first act that is enhanced by the lengthy argument between Sade and Marat. This is fairly tedious, since the play doesn't want to give ideas, but only imitations of ideas, swathed in anger and spectacle. The debate is something a callous director could cut down, a careless director here takes seriously and a really alert one would accelerate; it should go by like...
...Marat/Sade is so intrinsically exciting, and TCB's acting so good, that the play is exhaustingly effective. John Coe (Herald), Frank Cassidy (Coulmier) and Bronia Stefan (Marat's mistress Simonne) deserve mention. Roberta Collinge and Josephine Lane highlight the chorus, and the full-throated Katherine Garnett (who drools) very nearly takes the show. Go, if you think you can Brook it. But hope David Wheeler tightens up Act I by tonight, when I'm going again...