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...British periodical Punch in 1849. But she couldn't resist including a smattering of unpopular characters, too. The so-called Chamber of Horrors still displays an anonymous Sans-Culottes standing close to the decapitated heads of some of the French Revolution's aristocratic victims. Nearby a lifeless Jean-Paul Marat bleeds into his bath...

Author: /time Magazine | Title: Fearful of Waning, Gordon Brown Seeks Waxing | 3/12/2008 | See Source »

...blood, prone to the odd burst of mishits and tension-induced mistakes. A slight injury, a blazing hot day, a rotten night's sleep - any number of little distractions could level the playing field for a strong opponent, who might also just have a golden night like Russia's Marat Safin did in his semi-final against the Swiss in 2005. Federer's the percentage tip, but he's not unbeatable...

Author: /time Magazine | Title: Australian Open Preview | 1/11/2007 | See Source »

...Monte Carlo. Stepping on solid ground, I realized how little I knew about this ‘prince-alty,’ save that it was stolen from the French by pirates centuries past. Of course, there was that interview in “Vogue” with Marat Safin, the tennis star with the hottest temper (and body). He had half-seriously, half-jokingly expressed interest in moving here to escape those pesky things called taxes...

Author: By Rebecca J. R. steinberg, | Title: The Riviera Life | 7/29/2005 | See Source »

...Munch by Himself" is billed as a survey of the artist's self-portraiture. But whether nailed to a cross in Golgotha (1900) or lying in a pool of blood as the assassinated French revolutionary Jean-Paul Marat in Marat's Death I (1907), Munch remains elusive, instead appearing in different metaphorical guises. There he is, too, leaning on a railing beneath a blood red sky in Despair (1892), an obvious precursor to The Scream...

Author: /time Magazine | Title: Self-Expressionism | 6/20/2005 | See Source »

...security and a stirring new exhibit of works by the tormented Norwegian. "Munch by Himself" is billed as a survey of the artist's self-portraiture. But whether nailed to a cross in Golgotha (1900) or lying in a pool of blood as the assassinated French revolutionary Jean-Paul Marat in Marat's Death I (1907), Munch remains elusive, instead appearing in different metaphorical guises. Loh and Behold Avant-garde murals and imaginative furnishings characterise a new Singapore hotel Identity Parade An iconic style magazine marks its quarter century Summits of Style Esoteric treatments in a minimalist setting A Starflyer...

Author: /time Magazine | Title: Self-Expressionism | 6/19/2005 | See Source »

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