Word: marathonic
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...schedules, deployment of personnel--White briskly showed how every little tactical choice carried the potential for making or breaking a campaign. And in 1976, when White refrained from writing about the presidential sweepstakes, no one else's electoral post mortem could fill the void. Jules Witcover's painstakingly researched Marathon came surprisingly close, but even casual readers of the genre could see it lacked the romance of The Making of the President series...
...summer of 1931. Millions are unemployed. What people need is something to take their minds off the Depression. Charles C. Flanagan, a flamboyant character composed of equal parts of FT. Barnum, Texas Guinan and unadulterated chutzpah, conceives of a marathon to end all marathons, a 3,000-mile foot race that begins in the Los Angeles Coliseum and ends, months later, in New York's Central Park. To make it interesting, he offers $300,000 in prize money...
...McNab, a Glasgow-born track man who served as script consultant for the Oscar-winning Chariots of Fire, makes the marathon seem real as he assembles a memorable cast, including a snake-oil salesman, a determined Scot, an underweight Mexican and such historical folks as Al Capone, members of the Industrial Workers of the World and a handful of Hitler Youth. On the way, Flanagan's Run captures the masochistic ecstasy of long-distance running. No one who runs, walks or just sits in an armchair and reads will fail to cross McNab's taut finish line...
...concluded, the takeover would rank as the third largest in U.S. corporate history, surpassed only by last year's $7.5 billion merger of Conoco and E.I. Du Pont de Nemours, and the $6.2 billion acquisition of Marathon Oil by U.S. Steel. The resulting company would instantly become the seventh largest American industrial firm, with sales exceeding $36 billion...
...Taras' observation suggests why the all-Stravinsky marathon was a success anyway. The troupe gathered and displayed its grand heritage, the modern classics (among them Apollo, Orpheus, Agon, Symphony in Three Movements) that Balanchine has set to Stravinsky over a period of 50 years. Balanchine worked out key elements of his style-bold, intricate, whip-fast-to this music. Stravinsky's rhythms and punctuation are the idiom of City Ballet dancers, so that their stab-kicking, hip-swiveling, long-leaping display is a unique ballet chronicle...