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Testifying for the prosecution, Urciuoli atfirst refused to say he'd seen anything out of asecond-floor Pound Hall window on the night ofJune 10. At one point, a clearly frustrated MarcA. Eichler, the assistant district attorney, askedthe judge's permission to treat his own starwitness as hostile...

Author: By Andrew L. Wright, | Title: HUPD Divided By Water Coolers | 12/3/1993 | See Source »

...model for its February issue. According to the magazine, the five-time U.S. Open winner favors "good travelers, versatile enough for sudden climate changes." Among the outfits that seemed to fill the bill: a $256 red silk dress by Andre Van Pier and a pair of $175 gold La Marca pumps. "Physically, I'm in better shape than when I was 17," says Chris, before adding, with a hint of wistfulness, "but being 27 isn't like being...

Author: /time Magazine | Title: People: Feb. 1, 1982 | 2/1/1982 | See Source »

...flat collages and reliefs and four freestanding aluminum constructions show that even his steadfast adherence to collage has not inhibited a distinct and rational progression in both style and content. In the early 1950s, Marca-Relli was concerned with semi-abstract figures of people, then moved on to swelling abstract panoramas of jostling, fluttering and flying scraps of canvas. From that period, 1958's Night Freight, says Marca-Relli, "has a feeling of movement which could have been the rumbling of a quiet freight filled with bodies being taken away in the night...

Author: /time Magazine | Title: Painting: Action from the Gluepot | 10/20/1967 | See Source »

Interest in materials "that are in our life today" next led Marca-Relli to experiment directly with freestanding constructions and panels of aluminum, either left in silver or covered with gaudy paint. As a rule, the rivets and nails lhat hold the work together are left exposed because they make the work reminiscent of "machines that do something." Cristobal, for instance, is built of red, white and blue vinyl and is meant to suggest "the side of a freighter" going to some distant clime...

Author: /time Magazine | Title: Painting: Action from the Gluepot | 10/20/1967 | See Source »

Most recently Marca-Relli has come back to working in canvas on canvas, and to his first love: the figure, or at least an abstract, anatomical detail. The challenge, he believes, is "to see if a certain figure can live alone. To see how far you can go without having it become boring, to keep it pulsating...

Author: /time Magazine | Title: Painting: Action from the Gluepot | 10/20/1967 | See Source »

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