Word: marceau
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Dates: during 1930-1939
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...from public and private collections in Belgium, it was the first sizable, over-all show of 15th, 16th, and 17th-Century Flemish painting ever held in the U. S. Jointly responsible for it were the Worcester Museum's affable, oval Director Francis Henry Taylor and Assistant Director Henri Marceau of the Philadelphia Museum. They succeeded last summer in getting the help of Léo van Puyvelde, distinguished, bluntspoken* director of the Royal Museums of Belgium, who accompanied the show to Worcester...
...Technical Notes on Daumier," included in the catalogue, Philadelphians are given the results of a study conducted by Art Expert David Rosen and Curator of Paintings Henri Marceau, by means of X-ray and infrared photographs of twelve paintings and seven wash drawings. La Blanchisseuse and most of the other paintings were done on wood. Messrs. Rosen and Marceau discovered that each of the X-rayed wood panels had been scratched over as if by a fine-toothed saw, producing a texture like that of woven fabric. This gave a firm grip to the ground of gesso (whiting and glue...
...Vanuxem and her bittern (known officially as the "Spirit of the Schuylkill") was on view at the Philadelphia Museum of Art, and with it something unique in the history of art exhibitions: every known surviving work by Sculptor William Rush. Preparing for the show for ten months, Curator Henri Marceau raised the list of known surviving Rush items from about 30 to 80, and though it entailed a raid on Independence Hall itself for a statue of Washington, all of them were finally made available for this week's show...
...JONES OF SCOTLAND YARD-Harry Stephen Keeler-Dutton ($2.50). A wordy, almost interminable, brain-addler is this sequel to The Marceau Case, presented as a complete dossier of photos, letters, cables, clippings...