Word: marceau
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Dates: during 1950-1959
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HEART FLIGHTS (191 pp.)-Felicien Marceau-Abelard-Schuman...
...enough to describe the silent beauty of this man's every step and gesture. The tilt of his head or the stoop of his shoulders, the raising of his hand or the arching of his brow, make a prose description something quite awkward if not faintly sacrilegious. Marcel Marceau is an accomplished actor, a striking artist, and a wondrous, wordless poet...
Appearing with M. Marceau was Gilles Segal who did not fare quite so well with his pantomines. "Underwater Fishing," like many of M. Segal's sketches, was notable for its physical feats, but regrettable for its lack of aesthetic content. In his more serious selections, M. Segal's individuality compared badly with M. Marceau's sense of humanity. One could always admire and oftimes sympathize with M. Segal, but one could identify with, and cry for M. Marceau...
...final pantomines of the evening belonged to M. Marceau and his classic creation, Bip. "Bip as the Botany Professor," and "Bip as a Lion Tamer" are M. Marceau at his best. For those who could neither find tickets nor, for that matter, afford the prices, M. Marceau opens tomorrow in New York and remains there until February...
Passionate Summer (Marceau; Kingsley International) is the kind of plain-brown-wrapper movie that could have been authored by an unlikely collaboration of Henry Miller, in his heyday, and the late Dr. Alfred C. Kinsey in his. What happens when a carefree, handsome studhorse of a man strolls into the lives of three sex-starved females who run an isolated goat farm in the French Alps? Going far beyond love, or even mere lust, Passionate Summer presents something of a heterosexual explosion...