Word: marceau
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Dates: during 1950-1959
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...C.D.F. as an "extinct" organization, and claim it "quit several years ago." This is an irresponsible falsehood. The C.D.F. only started in 1956, when it gave three productions: Henry V, a new version of The Beggar's Opera, and Saint Joan. It brought us Emlyn Williams and Marcel Marceau in 1957, two productions by the Theatre National Populaire in 1958, the Vieux-Colombier company and Gielgud's Ages of Man early this year, and is offering three shows this summer. Extinct? No; you, Mr. Capp, are the dodo...
...Group 20, nor any other local drama group is concerned with social prominence; they are all interested in serving the noblest of the arts to the best of their ability. And how dare you imply that the bringing to local stages of such luminous performers as Siobhan McKenna, Marcel Marceau, and Sir John Gielgud constitutes "fooling around in the theatre...
Pantomime, according to the brilliant French mime, Marcel Marceau, is "the art of expressing feelings by attitudes and not a means of expressing words through gestures." When Skelton this week shut his mouth for half an hour, he demonstrated Marceau's point better than any of the other U.S. performers-Caesar. Gleason Kovacs-who have tinkered fitfully with the unspoken attitude. Skelton shuffled through the pathetic attempts of Freddie the Freeloader to cadge a Thanksgiving dinner from the Elite Restaurant. His kindness in returning a rich matron's purse was rewarded with no reward: a policeman rapped...
This is the simple outline of Novelist-Playwright Felicien Marceau's new book, but it is the portraits within, not the frame without, that make it a sparkling display of French tragicomedy. An irresistible pair are stern father de Gau-grand, a half-mad patrician whose "broad back [extends] like the Great Wall of China," and his wife, who wears newspapers (for warmth) throughout the winter and sits down to all meals in hat and overcoat. Daughter Denise, raised in this nutty household, is more than a bit weak in the head, but far from weak in will...
...charm of this book lies in Author Marceau's devotion to his extraordinary characters-a devotion that enables him to make them not merely funny but amazingly human as well. Haughty aristocrat, aping student, money-loving businessman, dim-witted girl-by the time Marceau has done with them, all have shed their comical trappings, and walk the world in the shape of broken hearts...