Word: marcel
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...Marcel Duchamp lived his life with a touch of magic. He thrived on paradox, and invested contradiction with its own kind of inexplicable logic. His now-legendary Nude Descending a Staircase made him the succes de scandale of Manhattan's 1913 Armory Show. Duchamp responded by giving up painting. Next, he presented an unlikely series of "readymade" objects, including a snow shovel and a urinal, as artistic creations, and saw that idea take root. Then, having shaken the pillars of traditional esthetics, he abandoned art altogether. In 1923, not yet 40, Duchamp settled down to a life of chess...
...always, the Staatsoper will have its eye on the past as well as on the future. Musing about his city's place in operatic history, Viennese Music Historian Marcel Prawy said last week: "Where is there a house in which the orchestra plays from scores that carry the personal annotations of Mahler, Richard Strauss and Herbert von Karajan? Where is there a house where each stagehand and stage technician has undergone an apprenticeship under masters whose teachers themselves form an uninterrupted chain through four generations? And where else is there a house where ushers greet each lady or gentleman...
...little more than postgraduate examples of those art school exercises in which students are called upon to copy older paintings or even to try to improve on them. A minority illuminate their topic unforgettably. By penciling a Dali-like goatee and mustache onto a reproduction of the Mono Lisa, Marcel Duchamp made it difficult for anyone looking at the lady thereafter to overlook either the pompous reverence with which she is surrounded or Leonardo's decidedly ambivalent attitude toward women. More recently, Miro, Magritte, Johns, Rauschenberg, Lichtenstein, Arman, Bruce Nauman and Walter de Maria have in various ways dealt...
...process of celebrating "process," Sturtevant has also rendered herself somewhat ridiculous (she once slathered herself with shaving foam to pose for her version of Man Ray's photograph of Marcel Duchamp). This disturbs her not one whit. "I have no place at all," she says, with a faraway look in her eye, "except in relation to the total structure. What interests me is not communicating but creating change. Some people feel that a great change in esthetics in general is happening, though few understand exactly why. Mainly, there is a great deal of anxiety...
...also a weakening of the persistent European notion that U.S. antitrust and securities laws are somehow stacked against foreign operations (they are not). But the main drawing card is that the U.S. market is still the world's biggest and most profitable. Describing his own experience last June, Marcel Bich, whose Bic pen company bought out Waterman Pen Co. in 1959, could hardly contain himself. "The States, it is tough," he declared. "But when it works, it pays!" Bich has long since recouped his $10 million investment in Waterman, last year cleared $6.4 million...