Word: marcel
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Fischli and Weiss also employ this unassuming and ambiguous approach when questioning the status of the art object, another favorite line of inquiry for '80s artists. Here, they follow in the tradition of Marcel Duchamp, and ally themselves with contemporaries, including Sherrie Levine and Alan McCollum, who address problems of mechanical reproduction and authorship. The ICA show includes several black, rubber and Beracryl castings of mundane objects like a candle or a doggy dish. Although these hand-made "readymades" may be overly indebted to Jasper John's light bulb or flashlight castings of the early 1960s, other pieces...
...also, without living peer, the artist of free association. Within the languages of art, Rauschenberg started more hares than he could possibly chase, including performance. His work with Cunningham and Cage, always under the influence of Marcel Duchamp, made artistic collaboration seem feasible, after the image of the artist had been monopolized by the go-it-alone individualists of the New York School. Younger artists of every kind latched on to his work, which meant that, particularly from the '50s to the '70s, there was hardly an area of "advanced" American art that didn't contain some...
That is most likely the description Major Marcel used when he returned to the airfield. As Walter Haut, who was then the 509th's press officer, tells it, he was ordered by Colonel William Blanchard, the group commander, to issue a press release. Haut, now 75 (he and his wife have license plates that read MR UFO and MRS UFO), remembers Blanchard's saying, "We have in our possession a flying saucer. This thing crashed north of Roswell, and we've shipped it all to General Ramey, 8th Air Force at Fort Worth...
Enter Stanton Friedman, a former itinerant nuclear physicist now living in New Brunswick, Canada, who has long been, in his words, "a clear-cut, unambiguous UFOlogist." In 1978, while waiting in a Baton Rouge, La., television station for an interview, Friedman was told that Jesse Marcel, long retired from the Air Force and living nearby, had once handled the wreckage of a UFO. After quizzing Marcel, who still believed the debris he retrieved was extraterrestrial, Friedman reviewed the old stories about Roswell, painstakingly sought out and interviewed other witnesses, and came to a dramatic conclusion: there had been a cover...
...together with beams made of balsa wood and coated with "Elmer's-type" glue (to strengthen them). Also, he noted, the New York toy company that manufactured the reflectors had reinforced the seams with leftover tape that Moore recalled had "pinkish-purple abstract flower-like designs"--markings that Major Marcel could have interpreted as hieroglyphics...