Word: marcel
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...Mallarmé found their own cult of the indeterminate, the penumbra of experience, confirmed in his work. The Whistlerian landscape of Thames kept turning up in English poetry for another generation-not least in The Waste Land, with its "brown fog of a winter dawn" lying on London Bridge. Marcel Proust so adored him that he purloined one of his gloves, as a souvenir, at a reception. Meanwhile, the paintings have beautifully survived: strict in taste, limited in range, precise in key, and never, ever, cloying...
...epic novel has intrigued and defied the efforts of such talented screenwriters and directors as Harold Pinter, Luchino Visconti and Peter Brook. For 22 years Producer Nicole Stephane could not get anyone to complete a film based on Marcel Proust's seven-volume Remembrance of Things Past. Then, "motivated by pure altruism," German Director Volker Schlŏndorff (The Tin Drum), 44, agreed to "jump on the sinking vessel to try to save it." He focused on a single vignette from the book. English Actor Jeremy Irons, 35, and Italian Screen Siren Ornella Muti, 28, signed to play Swann...
...romantic soul of its model, which ex pressed itself through narration and dialogue that recollected tacky things past in tough, cynically charged metaphors and through images as shadowed as an ambiguous memory. It was all rather as if Philip Marlowe had decided to stake out his suspect disguised as Marcel Proust...
Some of the buildings were ego trips that overpowered the art they were to shelter and display, among them Frank Lloyd Wright's dizzying Guggenheim Museum (1959) and Marcel Breuer's brutal Whitney Museum of American Art (1966), both in New York City. Philip Johnson's Sheldon Memorial Art Gallery at the University of Nebraska in Lincoln (1963) returned to a somewhat saccharine classicism. But the one museum of that hectic period that seemed to work best for the display of art was Barnes' Walker Art Center in Minneapolis (1971). Its architectural form is not particularly...
Says Barnes: "We wanted the visitor to remember painting in space, sculpture against sky and a sense of continuous flow, a sense of going somewhere." Barnes, 68, studied with Bauhaus Leaders Walter Gropius and Marcel Breuer at Harvard, and has kept faith with their nononsense, functionalist International Style. His new 43-story IBM building in Manhattan, for all its green granite elegance, carries this style to an absurdly defiant extreme. His Dallas museum, on the other hand, is a joy precisely because at a time of architectural razzle-dazzle, it is so endearingly simple. It is thoughtfully and beautifully designed...