Word: marcell
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...cavalry doctor with the 11th Cuirassiers during World War I, Raymond Duchamp-Villon knew equine anatomy well. As a sculptor, and one of the triumvirate of brothers that included Painter Jacques Villon and Marcel Duchamp, a founder of Dada, he was familiar with the idea that the horse gave aristocratic stature to its rider and had long been the very symbol of man in power. With the beginning of World War I, Duchamp-Villon foresaw that the power of the horse would metamorphose into machine power. The result was his Large Horse...
...swimsuits on their beaches. Japanese transistor radios, TVs and tape recorders do as well in New York as James Baldwin's novels in Tokyo or Edward Albee's plays in Athens. Robert Rauschenberg, Jasper Johns and Andy Warhol created a pop art derived from the Dadaists and Marcel Duchamp; their work, in turn, has influenced such pop artists in Britain as Joe Tilson and Peter Blake...
...case containing 15 shot glasses called Petite Musée. They are all symbols shorn of obvious symbolism, junk treasured to jangle the imagination. The work has roots in the cubism of Braque, where newspaper clippings were glued amid the oils, and branches embracing the Dada of Marcel Duchamp. But Cornell's intent is neither to fracture space nor make satire...
Plush Exile. Then, last month, Cultural Affairs Minister Andre Malraux appointed Marcel Landowski, a composer of conservative persuasion and little renown, as the ministry's director of music. Boulez hit the ceiling, canceled all future government-connected engagements in France and fired off a scathing letter, which was published in the weekly Le Nouvel Observateur. He accused Malraux of jeopardizing France's musical future, called the Landowski appointment "badly thought out, irresponsible and illogical." Malraux, he charged, should understand "that music is a matter sufficiently important not to have it put into the hands of feebleminded and incompetent...
Hocking might not have quarreled with that description. He proudly con curred in Poet John Masefield's con tention that love and beauty are uni versal gateways to truth and agreed with Existentialist Gabriel Marcel that all of experience is a divine summons, exalting passion. He never wavered from the tenet of his first book, The Meaning of God in Human Experience (1912), that "the world, like human self, has its unity in a living purpose. It is the truth of the existence...