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Lorenzo Weisman cleverly varies his eight short skits, first presenting a grotesquely humorous one, then a witty one. Pantomine is usually associated in the United States with Marcel Marceau, and though Weisman wears the painted white face, the oversize bell-bottom trousers, and the ballet slippers of the French mime, he frequently dons the manner of The Little Tramp...

Author: By Gregory P. Pressman, | Title: Mime I | 5/3/1965 | See Source »

...ROGUES (NBC, 10-11 p.m.). Marcel (Charles Boyer) goes to Paris to investigate the death of a friend, finds himself being stalked in "Pigeons of Paris...

Author: /time Magazine | Title: Television: Mar. 5, 1965 | 3/5/1965 | See Source »

...reviewer of my novel The Smile on the Face of the Lion [Feb. 12] writes that "[the author] seems to have derived his literary manner in equal measure from Marcel Proust, Ian Fleming, Bernard Shaw and Michelangelo Antonioni." I have read the regular amount of Proust, very little Shaw, and no Fleming-though I am planning to. As for Antonioni, the really relevant thing we have in common is, of course, optimism (i.e., the awareness that making films, writing novels, etc., are the ultimately worthwhile pursuits...

Author: /time Magazine | Title: Letters: Mar. 5, 1965 | 3/5/1965 | See Source »

...Your article on Marcel Duchamp [Feb. 5] was wonderful, but you were wrongly informed that this exhibition is going to the Contemporary Arts Museum in Texas. It will actually appear in the Museum of Fine Arts of Houston...

Author: /time Magazine | Title: Letters: Feb. 12, 1965 | 2/12/1965 | See Source »

String & Scribbles. Duchamp's Solomon Grundy career became legend, all the more quixotic because his two brothers, Painter Jacques Villon and Sculptor Duchamp-Villon, went on to make careers in art that placed them near the top of their generation. By comparison, Marcel Duchamp seemed like a naughty boy who ties enigmatic, impudent, possibly lewd messages to balloons, then lets them fly off into the blue yonder. But now, 42 years after he abandoned art, his messages have come down to earth. Far from being gibberish, the scribblings now seem cryptic formulas for the future...

Author: /time Magazine | Title: Artists: Pop's Dado | 2/5/1965 | See Source »

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