Word: marcelled
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...made no secret that his motive was to dismantle and mock French prejudices about the north and its inhabitants. As the box office figures show, French cinema lovers are lapping that effort up. But there's more at work than simple entertainment. "This movie is doing what [author Marcel] Pagnol did for the Provençals: showing that people broadly considered buffoonish and stupid are actually very interesting, alluring, and deeply human," says Patrice Languetif, a Paris jeweler who spends much of his free time in his home in Ch'ti-land. "I've never seen Ch'tis prouder since...
...exhibition at London's Tate Modern features three heavy hitters, the Frenchmen Marcel Duchamp and Francis Picabia, and the American Man Ray. They are associated with the Dada and Surrealism movements, but they were friends before these existed, and after they ended. Of the three, Duchamp is the towering genius. Out of his own interests, phobias and distractions, he created a new aesthetic that has survived to become the reigning spirit of today's art world. Its key idea is that anything can be a work of art. Everyone has encountered this notion. No one quite knows what it means...
There have been times when kinetic art - think of Marcel Duchamp's spinning bicycle wheel screwed to a stool, Alexander Calder's abstract mobiles or the self-destructing machines of Jean Tinguely - moved the art world. Recently, though, it has tended to be sidelined as the work of toymakers and garden-shed boffins, finding a warmer welcome in the science museum than the art gallery. That's no bad thing, to judge from "Fantastical Mechanisms - Machines Tell Stories," the biggest exhibition of its kind in Europe since the '60s, on show at the dashingly futuristic Phaeno science center in Wolfsburg...
...Marcel E. Moran ’11, a Crimson editorial editor, lives in Pennypacker Hall...
...American attack on French culture. The controversy of the past weeks is purely manufactured, the handiwork of three people: the clever journalist who wrote the article, the shrewd editor who put it on the cover, and the graphic artist who brilliantly associated the widely lamented death of Marcel Marceau with, if I may draw on modern French thought, the empty signifier "French culture." John Brenkman, PROFESSOR, BARUCH COLLEGE, CITY UNIVERSITY OF NEW YORK, IN LE MONDE...