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...results in a fragmentary portrayal of a Latin American life. A film like State of Siege by Costa-Gavras, however urgent the moral questions it poses, so completely lacks a human, social context that its political presentation collapses in a lifeless vacuum. At the other extreme, a director like Marcel Ophuls is Black Orpheus is so adept at capturing the vibrant rhythm and undulating color of life in the slums of Rio de Janeiro that his audiences are numbed to the excruciating reality of Brazil's urban poverty...

Author: By Michael Massing, | Title: A Doctrinaire Documentary | 7/12/1974 | See Source »

...Died. Marcel Pagnol, 79, Provençal schoolteacher turned playwright (Topaze) and filmmaker (The Baker's Wife) whose tender stage-screen trilogy of life on the Marseille waterfront was the basis of the Broadway musical Fanny (1954-56); in Paris...

Author: /time Magazine | Title: Milestones, Apr. 29, 1974 | 4/29/1974 | See Source »

...Marcel Marceau, the 1974 Theodore Spencer Memorial Lecturer at Harvard, is appearing in Boston this week...

Author: By Marcel Marceau, | Title: A Universal Language | 4/16/1974 | See Source »

...throb with activity: a priest, a balloon man, a pair of lovers, a mother dragging two children at the end of either arm. More than a dozen characters seem to people the stage, although there is only one man up there. He is all of them. He is Marcel Marceau...

Author: By Janny P. Scott, | Title: Silent Witness to the Lives of Men | 4/16/1974 | See Source »

Brought up on the greatest artists of the silent screen--Charlie Chaplin, Buster Keaton, and Harry Langdon--Marcel Marceau was enchanted at an early age by the challenge of imitating the animate as well as the inanimate. He calls Chaplin his greatest inspiration: "To be capable of expressing a wealth of emotion in one look, one gesture, to be able to interpret the slightest nuance of the soul--was not that a prodigious ambition...

Author: By Janny P. Scott, | Title: Silent Witness to the Lives of Men | 4/16/1974 | See Source »

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