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Word: marcelling (lookup in dictionary) (lookup stats)
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Fanny was the big gamble of Merrick's career, and he stood to his bets with tremendous nerve and style. He made three trips to Europe before Marcel Pagnol agreed to sell the rights to his famous cinema trilogy-Marius, Fanny, Cesar. And then Merrick spent three months nailing down the subsidiary rights and three months persuading Josh Logan to go see Pagnol's pictures and three months marking time until he was ready to direct the show and six months working with the librettist and the songwriter and three months signing up Ezio Pinza and Walter Slezak...

Author: /time Magazine | Title: Show Business: THE BE(A)ST OF BROADWAY | 3/25/1966 | See Source »

...HOLLYWOOD PALACE (ABC, 9:30-10:30 p.m.). Fred Astaire is host, and his visitors include Ethel Merman, Jack Jones and French Mime Marcel Marceau...

Author: /time Magazine | Title: Television: Mar. 11, 1966 | 3/11/1966 | See Source »

After 1847, when a German jeweler and flutist named Theobald Boehm perfected the sophisticated instrument now in use, the French eagerly adopted it. By World War I, flutists like Claude Paul Taffanel, Georges Barrere and Marcel Moyse had produced an impressive tradition of virtuosity. Oddly enough, the romantic composers could not find a place in their palette for the infinite colors of the flute, but Debussy and Ravel, the great impressionists, splashed patches of flute all over their sound paintings. Suddenly instrumentalists began to clamor for flute lessons. In Europe, the great teacher was Marcel Moyse; in the U.S. William...

Author: /time Magazine | Title: Instruments: Flute Fever | 3/11/1966 | See Source »

...classic dada art work was an ordinary urinal that Marcel Duchamp put in an exhibition and entitled Fountain. It typified the cynical frustration that grew out of World War I, and the movement satirized all the other artistic isms of the time...

Author: /time Magazine | Title: Styles: Dado's 50th | 2/18/1966 | See Source »

...other characters are interesting, too: the little criminal, who is always making up stories about himself and planning great escapades which invariably fail, or the Haitian doctor, a gentle, philosophical communist. And there's not nearly enough about the narrator's mother, who writes to her Haitian lover: "Marcel, I know I'm an old woman and as you say a bit of an actress. But please go on pretending. As long as we pretend we escape. Pretend that I love you like a mistress. Pretend that you love me like a lover. Pretend that I would...

Author: By William W. Sleator, | Title: Committed, Uncommitted Stage Dull Drama on Greene's New Set | 2/9/1966 | See Source »

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