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...scientists too must shoulder their share of the blame. Cases of outright fraud and waste, sloppy research, dubious claims and public bickering have made science an easy target for its critics. Says Marcel LaFollette, a professor of international science policy at George Washington University: "One of the threads that run through all this is a refusal by the science community to acknowledge that there is a problem. They continue with the attitude that scientists are part of the elite and they deserve special political treatment and handling...

Author: /time Magazine | Title: Crisis in The Labs | 8/26/1991 | See Source »

...from tinfoil, Anderson asked Sutherland to teach him French. Sutherland also kept them occupied with lectures on agriculture and his Volvo car. One day at the end of 1987, overcome by frustration, Anderson banged his head on the wall until his scalp bled. But later, when a French hostage, Marcel Fontaine, said he hoped not to die a prisoner, Anderson replied, "I don't want to die anywhere." Like Anderson, Sutherland experienced days of despair. Several times he tried, but failed, to suffocate himself with plastic bags...

Author: /time Magazine | Title: Surviving In Captivity | 8/19/1991 | See Source »

...Here is the Pagnol family: father Joseph (Philippe Caubere), a schoolteacher; mother Augustine (Nathalie Roussel), a seamstress; little Marcel (Benoit Martin, then Julien Ciamaca), a serious, curious child who reads everything he can find, from cookbooks to soap wrappers. In the first hour of My Father's Glory -- the most luminous part of either film, or of any film since charm went out of fashion -- Joseph anxiously faces a new teaching job, Augustine gives birth to a second son (Victorien Delmare), and Marcel's maiden aunt (Therese Liotard) meets her future husband (Didier Pain) while walking Marcel in the park...

Author: /time Magazine | Title: Reliving Impossible Dreams | 7/1/1991 | See Source »

...actors know this is not so much real life as ideal life. And Robert, whose reputation previously rested on slight farces such as The Tall Blond Man with One Black Shoe, presents the vignettes with an assured briskness the viewer barely has time to appreciate. They are like Marcel and his brother: eager and bright, soliciting our attention, trying to crowd each other out. But gently, no elbows. Again like Marcel, these films are at once playful and spectacularly well behaved...

Author: /time Magazine | Title: Reliving Impossible Dreams | 7/1/1991 | See Source »

Once the Pagnols take a summer cottage in Bastide Neuve, the movies stay there, as if they have found their true home. Marcel makes easy friends with a local mountain boy; he feels an edgy ecstasy in the company of a precocious coquette. And the locals, who were small-minded and suspicious in the Jean de Florette films, mingle like communicants in the Pagnols' joie de vivre. A game of boules on the village green. The bagging of a couple of rock partridges. A forbidden family trip across three great estates. Nothing much happens; everything is revealed. We leave young...

Author: /time Magazine | Title: Reliving Impossible Dreams | 7/1/1991 | See Source »

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