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Word: marcello (lookup in dictionary) (lookup stats)
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...surface look at Federico Fellini's newest film reveals an autobiographical plot about a movie director (Marcello Mastroianni) who cannot seem to get started on a new picture; but there is much more to be seen in this monumentally abstract, overwhelmingly pictorial cinematic psychoanalysis...

Author: /time Magazine | Title: Cinema: Jul. 26, 1963 | 7/26/1963 | See Source »

...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustrations, includes dreams, snatches of vaudeville, a little sex and a lot of religion...

Author: /time Magazine | Title: Time Listings: Jul. 19, 1963 | 7/19/1963 | See Source »

...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustrations, includes dreams, snatches of vaudeville, a little sex and a lot of religion...

Author: /time Magazine | Title: Time Listings: Jul. 12, 1963 | 7/12/1963 | See Source »

...Cast as a director remarkably like Italian Director Federico Fellini (who in fact directed the film), Marcello Mastroianni cannot seem to get started on a new movie project. The Fellini-Mastroianni stream of consciousness lays bare the director's inner confusions and frustra tions, includes dreams, snatches of vaudeville, a little sex and a lot of religion. The total effect is surprisingly coherent and entertaining...

Author: /time Magazine | Title: Television: Jul. 5, 1963 | 7/5/1963 | See Source »

...cinematic catharsis is performed on two levels. The ostensible story tells of a director (Marcello Mastroianni) who has made a commitment to do a film, has the organization and backing all set, and is struggling to find an idea. On a more mystical plane, 8½ casts light on his condition in a series of dream-and-memory sequences probing back into childhood. The film opens silently on a tunnel clogged with stalled cars and buses. As Mastroianni tries to start his car, fumes surge into it and he begins to suffocate. Mastroianni finally floats in fantasy...

Author: /time Magazine | Title: Cinema: Director on the Couch | 6/28/1963 | See Source »

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