Word: marched
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Dates: during 1930-1939
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...World War, etc.), authentic chiefly when the newsreel camera has the screen. More reliable as a history of Hollywood enterprise than as history straight, Land of Liberty recalls the cinema great from Griffith (America) to Disney (Building a Building), not forgetting Mae West (Belle of the Nineties) or the MARCH OF TIME. It opens with Roosevelt II rededicating the Statue of Liberty, scurries back 400 years to show why the early colonists left Europe, hits the high spots from then on. Main omissions: Depressions...
...blared it. It was even played in Hawaiian style. A local radio station dramatized the life of its author. All this hullabaloo in Washington, D. C. celebrated a work which first took U. S. ears by storm 50 years ago: John Philip Sousa's The Washington Post March...
Most people might suppose that the march was dedicated to an army post, or the Post Office department, or perhaps had something to do with a post horn. Actually, it was a theme song (before the days of theme songs), commissioned in 1889 by a newspaper, the twelve-year-old Washington Post.* Washington-born John Sousa, 34, son of a longtime member of the Marine Band, had become its leader. The heavy-bearded bandmaster dashed off the march, had the Band play it on the Smithsonian Institution grounds, where 25,000 people gathered for the presentation of prizes...
...Washington Post March, in two-step time, was taken up by U. S. dancing masters and swept the world. When Sousa's own band played in Germany, his audiences clamored for "Der Vashington Pust." The piece was played, as a "typical American" work, at the dedication of a German monument to Richard Wagner. European composers wrote pieces with titles like Vorwärts-A Washington Post, as if this were a special dance like the waltz or polka. An army officer told Sousa that in a Borneo jungle he met a boy with a violin, sawing out the familiar...
...much comfort for H. H. was the failure of both industries to get back to where they were in March...