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...comes down," mused Pop Artist Jim Rosenquist, one of the group of artists, museum curators and dealers who assembled to watch the installation. "It was a beautiful birth, all rosy mist and hidden sunlight," enthused the curator of Dartmouth's Hopkins Center Art Galleries, Jan van der Marck, a longtime collaborator of Christo's. "It can't be owned or rented or bought. The artist doesn't get any richer, but you do." But was it, a reporter asked, another Great Wall of China? Smiling, Christo revised his 1968 opinion. "No, it is not a Wall...

Author: /time Magazine | Title: Art: Christo: Plain and Fency | 9/20/1976 | See Source »

...insistent demand for affection without the traditional supporting structure has dangers of its own. The pioneering sociologist Edward Wester-marck observed that "marriage rests in the family and not the family in marriage." The corollary used to be that the family existed for many practical purposes beyond love. To base it so heavily on love?including the variable pleasures of sexual love?is to weaken its stability...

Author: /time Magazine | Title: Behavior: The American Family: Future Uncertain | 12/28/1970 | See Source »

...geometry, the equalizing of old and new materials, the applied and the fine arts. These qualities appeal not so much to the often fickle eye but to the intellect. "He was the original artist in a white coat," says the Museum of Contemporary Art's Jan van der Marck, "one of the first to place art in a laboratory situation...

Author: /time Magazine | Title: Art: Original in a White Coat | 7/18/1969 | See Source »

...Where are you going to put the stamps?" guffawed a passing postal clerk. "When do they pick it up?" gibed a construction stiff. Museum Director Jan van der Marck was undismayed. Christo's wrapping, he explains, underlines the fact that "a museum is already a wrapping of sorts. You wrap into a museum all the arts worth preserving and presenting...

Author: /time Magazine | Title: Sculpture: All Package | 2/7/1969 | See Source »

...canvases of Jules Olitski and the newly fluid pictures of Larry Poons. "New art is disturbing to everybody," warns a big pop collector, Robert Scull, who is also a major patron of the newer art. "It takes a realignment of your computer to like it." Says Jan Van der Marck, director of Chicago's Museum of Contemporary Art: "They are doing just what the pop artists did; they are pushing the limits of the acceptable...

Author: /time Magazine | Title: Art: The Avant-Garde: Subtle, Cerebral, Elusive | 11/22/1968 | See Source »

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