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...spectacular result of this collaboration between art and science will be seen for the first time in seven years this summer. Like many other frescoes, Fra Angelico's Crucifixion, in the chapter house of the cloisters of San Marco (see color page), was suffering from a chronic problem that predated the flood: a pockmarked rash, resulting from crystallization within the plaster...

Author: /time Magazine | Title: Art: Long After the Flood | 8/13/1973 | See Source »

...thousands of tiny craters were filled in with water-soluble paint-purposely duller in tone than the original hues, so that the restoration would be distinguishable to the trained eye. Exulted Dini last month, after nearly six years' work in San Marco: "Look how Fra Angelico's colors have come forth again. They are so much purer, so much more brilliant...

Author: /time Magazine | Title: Art: Long After the Flood | 8/13/1973 | See Source »

...Crucifixions by Fra Angelico, one in the Church of San Niccolo del Ceppo and the other in the Museum of San Marco...

Author: /time Magazine | Title: Art: Florentine Restorations: A Partial Tally | 8/13/1973 | See Source »

...Tigers on channel 4. CH.5. 8 p.m. Color. 3 hrs. Last of the Mohicans. (1963) An intriguing reversal of the American habit of casting white Midwesterners as Indians and foreigners provides about all the entertainment in this Mexican stab at Fenimore Cooper's Leatherstocking classic. Starring Jose Marco and Luis Induni. CH.5. 2:30 a.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 5/10/1973 | See Source »

That goal is still Nixon's special preoccupation. He eagerly asks Kissinger about North Viet Nam's Le Due Tho: "What kind of man is he?" Then he listens to the traveling professor spin out his stories, which by now are better than those of Marco Polo...

Author: /time Magazine | Title: THE PRESIDENCY by HUGH SIDEY: A World Getting Closer Together | 3/19/1973 | See Source »

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