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...distill the essence of the entire Quartet -carefully constructed around Freud's idea that "every sexual act is a process in which four persons are involved" -into one big, sloppy movie. Assigned the thankless task of giving order and meaning to Durrell's universe, Screenwriter Lawrence B. Marcus eliminated Clea and shaped the other characters into soap-opera carvings. The result, given the overall title of Justine, is not mere condensation but virtually complete evaporation...

Author: /time Magazine | Title: Cinema: Ersatz Alexandria | 8/15/1969 | See Source »

...atmospherics, establishing the characters and their relationships with one another and the city of Alexandria. Director George Cukor had a good old-fashioned time sweeping his camera over studio-made streets and palaces, working himself up to a murder at a masked ball. After that, he and Screenwriter Marcus apparently decided that it was time to get down to business and in a barrage of exposition hurled the film into complete chaos...

Author: /time Magazine | Title: Cinema: Ersatz Alexandria | 8/15/1969 | See Source »

...magnet, of course, was Blood, Sweat, and Tears. Everything before them--Steve Marcus, who bombed with "Wild Thing"; Jethro Tull, with Ian Anderson strutting, kicking, and striking a Panlike pose with his flute; and the frenetic sound of Ten Years Yater--was prologue. And from the moment they walked on, you said to yourself that everything that came after would be anticlimax. (In fact, Jeff Beck was worse; a real down...

Author: By Jerald R. Gerst, | Title: Newport Jaz: I | 7/8/1969 | See Source »

With a comfortable seven-run cushion. Coach Loyal Park experimented with his reserve squad yesterday and they delivered six more tallies as the Harvard nine crushed Brandeis 14-2 at Marcus Field. The win kept the Crimson undefeated in the Greater Boston League with one game left...

Author: NO WRITER ATTRIBUTED | Title: Crimson Wallops Brandeis, Prepares for Tiger Game | 5/2/1969 | See Source »

...MARCUS WELBY...

Author: /time Magazine | Title: On Broadway: Mar. 28, 1969 | 3/28/1969 | See Source »

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