Word: marek
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Anthony Graham-White adapted a Marek Hlasko story full of characters and atmosphere. Agnieszka, a young woman relatively untouched by the war, passes an existence surrounded by hulks who are psychologically still under the Nazi rule. Her parents are aging and broken; her lover lost all but his physical drives in the concentration camps. One of her brothers still tries to live by Darwinian prison morality, while the other drowns his self-pity in vodka. Throughout their actions parade chorus-like groups of foul-mouthed and drunken toughs, the spawn of occupation...
...specifics: $280,000 and his Chantilly, France, villa to elegant French Fashion Model Bettina, 35, his constant companion since 1955; $14,000 to Sybilla Szczeniowska, 38, a blonde New York fashion designer who met Aly 20 years ago in Cairo; and $56,000 to her Cairo-born son, Marek, 16, a Manhattan private school junior, who recollected &quo;seeing the prince three or four times in my life. When he was in New York, he used to come to see us, and he gave my brother and me $50 when he did. The prince wanted to be my godfather...
...recording company could have put together such an assortment. But the hit album (last week it was selling 5,000 copies a day) also expressed the Janus headed personality of the man who conceived it-a lanky, Viennese-born ex-advertising man and music critic named George Richard Marek...
...Habit Is Everything. As general manager of the RCA Victor Record Division of the Radio Corporation of America, George Marek, 57, ranks as the world's biggest musical merchandiser. In the fiercely competitive, $400 million (retail) record market, Victor claims 25% of total sales. On the Christmas-trade counters last week Victor was pushing both a new Beecham version of Handel's Messiah and the Ames Brothers, a recording of Archibald MacLeish's J.B. and Elvis Presley's newest but possibly fading wails (see SHOW BUSINESS). Marek himself is a dedicated opera lover (among his books...
...scholarly George Marek got the music habit early. The son of a Viennese dentist, he haunted the Vienna Opera as a child, later became a regular standee at the Metropolitan Opera after his parents sent him to the U.S. at the age of 17 to make his fortune. For a time he worked in Manhattan in a millinery house, where he was assigned to the ostrich-feather department. Before long, Marek gave up feathers for advertising, became a vice president of the J. D. Tarcher Agency, spent his days writing copy (Coty, Smith Bros.) and his nights as the regular...